Parodie und parodistische Schreibweise in Thomas Manns ?Doktor Faustus? ( Untersuchungen zur deutschen Literaturgeschichte )

Publication series :Untersuchungen zur deutschen Literaturgeschichte

Author: Inken Steen  

Publisher: De Gruyter‎

Publication year: 2001

E-ISBN: 9783110911718

P-ISBN(Paperback): 9783484321052

Subject:

Language: GER

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Description

Although parody is central to the famous 'encounter with the Devil', the 'ironical German''s novel has generally been held to be anything but parodistic. But if we eschew normative thinking on genres, parodistic writing reveals itself to be highly varied in perspective. It enhances readability and at the same time enables narrative discourse to reflect on the modalities of writing and the potentialities of modern art in the face of the polarity between esotericism and epigonality. Parodistic writing refutes the traditional interpretations of Mann's novel in terms of the role of the artist, a modern-day treatment of the Faust myth, an allegory on society or on Germany. In the 'relational magic' of speech and counter-speech, Leverk|hn's compositions function as self-parodies of the novel.

Chapter

Einleitung

pp.:  1 – 9

1 Parodie als Gattungsbegriff

pp.:  13 – 15

1 Thomas Mann und die Parodie im Kontext der Forschung

pp.:  61 – 67

2 Die Diskurse des Erzählens oder: Die Selbstaufhebung des Erzählers im Spiel der parodistischen Selbstkommentierung

pp.:  67 – 77

3 Die Diskurse des Ästhetischen – oder: Der Weg aus der Krise der Kunst im Zwiespalt von Theorie und Praxis

pp.:  77 – 130

Schlußbemerkung

pp.:  130 – 205

Literaturverzeichnis

pp.:  205 – 209

LastPages

pp.:  209 – 217

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