New Impressions of Africa :New Impressions of Africa ( Facing Pages )

Publication subTitle :New Impressions of Africa

Publication series :Facing Pages

Author: Roussel Raymond;Ford Mark;;  

Publisher: Princeton University Press‎

Publication year: 2012

E-ISBN: 9781400838226

P-ISBN(Paperback): 9780691144597

Subject: I Literature;I106.2 Poetry

Keyword: 文学

Language: ENG

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Description

Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.

Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.

This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.

Chapter

CANTO II

Le Champ de bataille des Pyramides / The Battlefield of thePyramids

CANTO III

La Colonne qui, léchée jusqu’à ce que la langue saigne, guéritla jaunisse / The column that, when licked until the tongue bleeds, cures jaundice

CANTO IV

Les Jardins de Rosette vus d’une dahabieh / The Gardens of Rosettaseen from a dahabieh

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