Publication subTitle :A Cultural History
Publisher: Liverpool University Press
Publication year: 2015
E-ISBN: 9781781384251
P-ISBN(Paperback): 9781781382578
Subject: K5 European History
Language:
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Description
The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested ‘facts’ of her life. This book suggests new ways of understanding her. A ‘cultural history’ of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today? The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the ‘popular’ and of ‘chanson’ as a new kind of middlebrow, of gender, sexuality, national identity and the human condition. Published to coincide with centenary of Piaf’s birth. Examines Piaf’s life, work and significance without going down the standard but ultimately unsatisfactory route of biography. Innovates by undertaking a cultural history of a single performer, rather than of a period or movement. Engages with Piaf not just as a French icon but as an international one. Combines scholarship with a concern for readability. The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an ‘imagined’ Piaf. It is a sharp and profoundly satisfying book, exposing in a sympathetic way the contradictions of the artist as well as the cultural complexities of her persona. this book is sure to become an important reference point for students and scholars of French Studies and Popular Music Studies alike, and an essential blueprint for future French music studies. Looseley’s enthusiasm for Piaf pervades this book ... This cultural study is written with scrupulous attention to detail and accuracy and has a comprehensive chronology, notes and index.
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