Constructing a Sociology of the Arts ( Contemporary Sociology )

Publication series :Contemporary Sociology

Author: Vera L. Zolberg  

Publisher: Cambridge University Press‎

Publication year: 1990

E-ISBN: 9781139240116

P-ISBN(Paperback): 9780521359597

Subject: J0-05 Art and other sciences)

Keyword: 社会学

Language: ENG

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Constructing a Sociology of the Arts

Description

At a time when a pile of bricks is displayed in a museum, when music is composed for performance underwater, and the boundaries between popular and fine art are fluid, conventional understandings of art are strained in describing what art is, what it includes or excludes, whether and how it should be evaluated, and what importance should be assigned the arts in society. In this book, Vera Zolberg examines diverse theoretical approaches to the study of the arts. Ranging over humanistic and social scientific views representing a variety of scholarly traditions, American and European, she then develops a sociological approach that evaluates the institutional, economic, and political influences on the creation of art, while also affirming the importance of the question of artistic quality. The author examines the arts in the social contexts in which people become artists, the institutions in which their careers develop, the supports and pressures they face, the publics they need to please, and the political forces with which they must contend. Particular subjects covered include the process by which works are created and 're-created' at different times, with changed meanings, and for new social uses; the role of the audience in the realization of artistic experiences; the social consequences of taste preferences; the reasons for change in artistic styles and for the coexistence of many art forms and styles.

Chapter

Art considered as a part of culture

Implications of the differences

Debating art

Plan of the book

2. Why sociologists have neglected the arts and why this is changing

American society and the arts: an ambivalent relationship

Sociologists against the arts?

Changes in sociology; changes in the art world

3. Studying the art object sociologically

Art object as an object of study

Latter-day revivals of Renaissance drama

The makers of the "tradition of the new"

Etched in memory

Transformation of the avant-garde

Music and society

Music as reflection of society: the search for correspondences

Sociology of music as social critique

4. The art object as social process

Unique artists, unique art works

Precious media, precious art works

Multiples, reproductions, copies: negotiating artistic value

Is a thing of beauty a joy forever?

E pluribus unum or Ex uno plures?

5. Are artists born or made?

Boundaries between the artist and the work

Commonalties and divergences in images of the artist

Artists: unique or ordinary?

Psychological perspectives

The psychoanalytic tradition

Social psychological approaches

Cognitive psychology

Creativity as problem finding in social context

Sociological views of the artist

The artists' viewpoint

Toward a useable synthesis

6. Structural support, audiences, and social uses of art

Let the artist live: societal supports and constraints

Subdividing the public: fine art and popular art

Commercial art markets

Debates about the status of art forms

Adorno and critical theory as evaluation

Russell Lynes and taste making

Herbert Gans and art as a human right

Becker's art worlds: consumption as production

Bourdieu's aesthetic violence

7. How the arts change and why

Problems in the study of artistic change

Macrosociological universal considerations

Aesthetic structure: internal-external limits to change

Changing support structures, changing arts

Guild and church

Private patronage

Academy and academies ofart11

The art market

American variants in support of the arts

Change in science and art compared

Simultaneity of styles: modernism and postmodernism

8. Where does the sociology of art stand, and where is it going?

The sociology of the arts, yesterday and today

Sociology and value hierarchies in the arts

Problems in criticism and aesthetic evaluation

Sociology and aesthetic judgment

Sociology of art: today and tomorrow

References

Index

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