Stealing Helen :The Myth of the Abducted Wife in Comparative Perspective

Publication subTitle :The Myth of the Abducted Wife in Comparative Perspective

Author: Edmunds Lowell  

Publisher: Princeton University Press‎

Publication year: 2015

E-ISBN: 9781400874224

P-ISBN(Paperback): 9780691165127

Subject: I06 Literature, Literature Appreciation

Keyword: 世界史

Language: ENG

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Description

It's a familiar story: a beautiful woman is abducted and her husband journeys to recover her. This story’s best-known incarnation is also a central Greek myth—the abduction of Helen that led to the Trojan War. Stealing Helen surveys a vast range of folktales and texts exhibiting the story pattern of the abducted beautiful wife and makes a detailed comparison with the Helen of Troy myth. Lowell Edmunds shows that certain Sanskrit, Welsh, and Old Irish texts suggest there was an Indo-European story of the abducted wife before the Helen myth of the Iliad became known.

Investigating Helen’s status in ancient Greek sources, Edmunds argues that if Helen was just one trope of the abducted wife, the quest for Helen’s origin in Spartan cult can be abandoned, as can the quest for an Indo-European goddess who grew into the Helen myth. He explains that Helen was not a divine essence but a narrative figure that could replicate itself as needed, at various times or places in ancient Greece. Edmunds recovers some of these narrative Helens, such as those of the Pythagoreans and of Simon Magus, which then inspired the Helens of the Faust legend and Goethe.

Stealing Helen offers a detailed critique of prevailing views behind the "real" Helen and presents an eye-opening exploration of the many sources for this international mythical and literary icon.

Chapter

§13 Motifs of “The Abduction of the Beautiful Wife”

§13.1 Birth or Origin

§13.1.1 Swan Maiden

§13.2 Childhood and Marriage

§13.3 Perilous Beauty of the Wife

§13.4 Abductor

§13.5 Abduction

§13.6 Recovery

§13.7 Fate of the Abductor

§13.8 Reunion of Husband and Wife

§13.8.1 Orpheus

§14 The Syntagma

§15 Methodological Reflections

2 DIOSCURI

§1 Introduction

§2 The Abduction of Helen by Theseus and Peirithoüs

§3 Indo-European Cognates

§4 The Caucasus

§5 The Baltic Egg

§6 Cults of Helen and the Dioscuri

§7 The Name Helen and the Nature of Names

§8 An Indo-European “Abduction”

§8.1 The Abduction in Indo-European Epic

§8.2 The Three Functions of Georges Dumézil and Trojan Myth

§9 The Indo-European “Abduction” and the Question of Origins

§10 Conclusion

3 HELEN MYTH

§1 Parentage, Birth, Siblings

§2 Childhood

§3 Wooing of Helen and Marriage to Menelaus

§4 Motherhood

§5 Paris

§6 Abduction

§6.1 The Abduction in Art

§7 Consequences in Sparta of Helen’s Abduction

§8 Stay in Egypt and Eidōlon

§9 Helen at Troy

§10 Recovery of Helen by Menelaus

§10.1 The Trojan Horse

§10.2 Helen’s Role in Her Recovery

§10.3 Menelaus’s Unhappy and Happy Reunions with Helen

§10.4 Helen Bares Her Breasts?

§10.5 Himation

§10.6 To the Ships, with His Hand on Her Wrist

§10.7 Reflections on the Reunions

§11 Return of Menelaus and Helen to Sparta

§12 After the Return

§13 Death of Helen

§14 Comparison of Myth of Helen with “Abduction” Type

4 HYPOSTASES OF HELEN

§1 The Cult at Platanistas

§2 Helen Dendritis

§3 Cult at Therapnē

§3.1 Herodotus’s Designation of Helen: “the goddess” (ή θεόϛ, 6.61.3)

§4 Conclusion on Cults

§5 The Cults and the Indo-European Goddess

§6 Helen as Fictional

§7 The Discovery of a Real Helen

§7.1 Self Ancient and Modern

§7.2 The Discovery of the Personality of Helen

§8 Conclusion

5 HELEN IN THE FIFTH CENTURY AND AFTER

§1 Helen in the Fifth Century

§1.1 Herodotus

§1.2 Thucydides

§1.3 Pindar

§1.4 Helen in Spartan Charter Myth

§1.5 Consequences of Social Memory

§1.6 Figure of Reference

§1.7 Helen as Figure of Song

§2 Helen from the Fourth Century to Goethe

§2.1 Pythagorean Helen

§2.2 Simon Magus

§2.3 Faust

§3 Roman Reception of the Helen Myth and the First Fictional Helen

§3.1 The Origin of Fiction in Antiquity

§3.2 The Fictive and the Fictional

§3.3 A Fictive Helen: Ovid, Heroides 16–17

§4 Another Fictive Helen (Lucian, True History 2) and a Fictive Hermione (Colluthus)

CONCLUSION

Appendix 1 Examples of “The Abduction of the Beautiful Wife”

Appendix 2 Inventory of Art Objects

Notes

References

Index Locorum

General Index

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