Copyright Law in an Age of Limitations and Exceptions

Author: Ruth L. Okediji  

Publisher: Cambridge University Press‎

Publication year: 2017

E-ISBN: 9781316566626

P-ISBN(Paperback): 9781107132375

Subject: D90 theory of law (jurisprudence);D91 Legal departments;D923.4 intellectual property

Keyword: 知识产权,法学各部门,法的理论(法学)

Language: ENG

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Copyright Law in an Age of Limitations and Exceptions

Chapter

1.3.5. Some L&Es Are Adopted for Politically Expedient Reasons

1.3.6. Some L&Es Provide Flexibility in Copyright Laws

1.4. Why Other Countries Should Adopt Flexible, Open-ended L&Es

1.4.1. Open-ended L&Es Enable the Law to Adapt to New Circumstances

1.4.2. Open-ended L&Es Can Produce Reasonably Predictable Outcomes

1.4.3. Flexible L&Es Can Be Compatible With International Treaty Obligations

1.5. Conclusion

2 The Role of the Author in Copyright

2.1. Authors and Copyright Ownership

2.2. What If Authors Retained Their Copyrights?

2.3. Making Copyright Work for Authors

2.3.1. Authors and Publishers

2.3.2. Authors as Publishers

2.4. Conclusion

3 A Few Observations about the State of Copyright Law

3.1. My Purpose

3.2. Why We Don’t Inherently Want Strong or Weak Copyright Laws

3.3. The Damage Done by Our Current Copyright Laws

3.4. What the Old English Common Law Judges Taught Me

3.5. What Being a Musician Has Taught Me

3.6. Some Examples of Copyright Sloganeering

3.7. My Experience with Copyright Law

3.8. What BIKE Riding Has Taught Me

3.9. Why Can’t Copyright Laws Be Like Riding a Bike?

3.10. The Attack on Safe Harbors and Fair Use

3.11. Why We Need Flexible Copyright Laws

4 Fetishizing Copies

5 Copyright in a Digital Ecosystem

5.1. Introduction

5.2. Users in the Digital Ecosystem: Opportunities and Threats

5.3. Formulating a Theory of User Rights

5.3.1. Moving beyond Limitations and Exceptions

5.3.2. The Virtues of Using Creative Works

Enhancing Human Capital

Productive and Transformative Use

Generating Meaning

5.3.3. A Rationale for User Rights

5.3.4. What Rights Do Users Need?

Authoring

Learning

Participating

5.4. Using Rights to Promote Desirable Uses

5.4.1. The Rise of the Rights Discourse

5.4.2. The Formalistic Analysis of Rights

5.4.3. Is Fair Use an Affirmative Defense?

5.4.4. Objections to the User-Rights Approach

5.5. Legal Implications of User Rights

5.5.1. Legal Interpretation

5.5.2. Legal Oversight of Private Ordering

5.6. Conclusion

6 The Canadian Copyright Story

6.1. Canada’s Unlikely Path to Users’ Rights in Copyright

6.1.1. 2002 – Signs of Change?

6.1.2. 2003–2005 – The Recognition of Users’ Rights

6.1.3. 2006–2008 – The Fair Copyright Fight

6.1.4. 2009 – Hitting the Reset Button

6.1.5. 2010–2012 – Copyright Closure: A Bill Passes and the Court Releases a Pentalogy of Cases

6.2. What the Canadian Experience Teaches

6.2.1. Users as Copyright Stakeholders

6.2.2. The Internet as a Tool for Participation

6.2.3. The Role of Academics in the Policy Process

6.2.4. Users’ Rights Have a Strong Policy Foundation

6.2.5. International Flexibility Allows for Users’ Rights

6.2.6. Trade and Copyright

6.2.7. People Matter

7 (When) Is Copyright Reform Possible?

7.1. The Structure of Copyright Policy Making

7.2. The Review

7.2.1. Evidence-Based Policy Making

7.2.2. Limitations and Exceptions

7.2.3. Orphan Works

7.2.4. Patent Thickets

7.2.5. Miscellaneous Recommendations

7.3. Lessons for Reform?

7.4. Conclusion

8 Fair Use and Its Politics – at Home and Abroad

8.1. Introduction

8.2. American Fair Use Doctrine and the Three-Step Test

8.2.1. Rules, Standards, and Fair Use

8.2.2. The Three-Step Test and Its Angst

8.2.3. Fair Use, Meet Three Step; Three Step, Meet Fair Use

8.2.4. A Thought Experiment on the Three-Step Test

8.2.5. Clustering Fair Use; Fair Use as a Mechanism for Establishing Exceptions

8.3. What Happens When Fair Use Goes Abroad

8.3.1. The Spread of Fair Use to Other Jurisdictions

8.3.2. Fair Use and the Global Activist Community

8.3.3. The Posture of the U.S. Government on the Fair Use Doctrine in International Negotiations

Granularity

Fair Use, Democracy, and Innovation

Preparing the Garden

8.4. Conclusion

9 Flexible Copyright

9.1. Introduction

9.2. Copyright, Droit d’auteur and Open Norms

9.3. In Search of Flexibilities Inside the EU Acquis

9.4. Flexibilities in Freedom of Expression

9.5. Conclusion

10 The Limits of “Limitations and Exceptions” in Copyright Law

10.1. Some Historical Milestones

10.2. Obsolescent or Merely Inadequate Legal Tools?

10.3. Heading for the Exit?

10.4. Some Premises for Reform

11 Lessons from CopyrightX

11.1. The Course Structure

11.2. Pedagogic Principles

11.3. Assessment

11.4. Resources

12 Rights on the Border: The Berne Convention and Neighbouring Rights

12.1. Introduction

12.2. Gaining Protection under Berne – The Need for Authorship of a Literary or Artistic Work

12.3. Photographic Works – An Early Claimant for Protection

12.4. Other Early Claimants for Protection

12.5. The Case of Sound Recordings

12.5.1. Performers

12.5.2. Broadcasts

12.6. Broader Concerns about Neighbouring Rights

12.7. The Ostertag Report and Draft Proposals

12.8. The Work of the Samedan Committee

12.9. The Trajectory of Neighbouring Rights Protection after Samedan

12.10. Lessons from Samedan?

12.11. Conclusion

13 How Oracle Erred

13.1. Introduction

13.2. Oracle v. Google

13.2.1. An Irony

13.3. Copyright Uses and Patent Uses: Baker v. Selden

13.3.1. Introducing Baker v. Selden

13.3.2. Significance

13.3.3. Baker and “merger”

Patent Law Is a Jealous Monarch

13.4. Defining “Explanation” and “Use”

13.4.1. Tentative Conclusion: Interoperability and Baker

13.4.2. Juridical Integrity and Lack of “Fit”

13.4.3. Should Mixed Uses Qualify for Baker’s Shelter

13.4.4. Directness

13.5. Resistance to the Use/Explanation Distinction

13.5.1. “Rights Over Use” as a Conceptual and Economic Fulcrum

13.5.2. Further Buttressing Baker’s Use/Explanation Distinction from Attack

1954 Dicta

Baker and Caselaw Progeny

Congressional Implementation

13.6. Subsection 113(b) Applied Directly to Computer Programs

13.6.1. Language

13.6.2. Is Baker only for accounting forms and other PGS works?

13.6.3. Mixed Uses

13.6.4. Copying Computer Object Code

13.6.5. Does the breadth of subsection 113(b) govern?

13.7. Conclusion

14 Reframing International Copyright Limitations and Exceptions as Development Policy

14.1 Introduction

14.2 Development and the International Copyright Framework

14.2.1 The Rhetoric of Development and the Institutional Context for International Copyright

14.2.2 Constructing the National Public Interest in the Design of International Copyright Law

14.3 Limits of the International Copyright Framework for Development

14.3.1 The Limits of Copyright Harmonization

14.3.2 Existing Limitations and Exceptions in the Berne/TRIPS Framework

(i) Uncompensated Limitations and Exceptions in the Berne/TRIPS Framework

(ii) Compensated Limitations and Exceptions in the Berne/TRIPS Framework

(iii) Implied Limitations and Exceptions in the Berne/TRIPS Framework

(iv) Limitations and Exceptions in the Digital Copyright Regime

14.4 Finding Development in the International Copyright Framework

14.4.1 The Case for Development-Inducing Limitations and Exceptions

14.4.2 Past Efforts to Address Development Interests in the Berne Convention

14.4.3 Why Does Copyright’s Development Role Require an International Solution?

(i) Coordination Problems

(ii) Institutions

14.5 The Case for Development-Inducing Limitations and Exceptions

14.5.1 Distinguishing the Public Interest, Creativity and Development

14.5.2 Mismatched Berne/TRIPS Limitations and Exceptions

14.6 Reframing International Copyright Limitations and Exceptions for Development

14.6.1 Steps toward a Redesign of International Copyright Law

(i) Strict Enforcement of Copyright’s Boundaries in a Local Context

(ii) Harmonizing the Education Exception

(iii) Maximizing Use of Authorial Works for Human Capital Formation

14.6.2 Mandatory International Limitations and Exceptions

14.7 Conclusion

Index

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