By ArchibaldDavidDavid Archibald is Lecturer in Film and Television Studies at the University of Glasgow. His monograph The war that won’t die: the Spanish Civil War in cinema was published by Manchester University Press in 2012. He has published widely on various aspects of Scotland’s cultural and political landscape and is currently completing a monograph on a production study of The Angels’ Share (Loach   2012).   Velez-SernaMariaMaria A. Velez-Serna is a post-doctoral researcher within the Early Cinema in Scotland research project at the University of Glasgow (AHRC AH/1020535/1). Her work on the emergence of regional film distribution   early exhibition practice   and the use of geo-databases for historical research has been presented at NECS   SCMS   Domitor   and Screen conferences. She has published on Scottish and Colombian cinema history and audiences in Post-Script and Particip@tions. Her chapter on showmanship practices in the 1910s was published in Performing New Media   1890-1915 (John Libbey   2014).   in NECSUS. European Journal of Media Studies

ISSN:2215-1222|3|2|155-175

Amsterdam University Press‎(2014)‎

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