By Serna Maria   Xhafa Fatos   in RAIRO - Theoretical Informatics and Applications

ISSN:0988-3754|42|2|237-252

Edp Sciences‎(2007)‎

Access to resources Favorite 12.890522

By Àlvarez Carme   Serna Maria   in RAIRO - Theoretical Informatics and Applications

ISSN:0988-3754|43|4|667-686

Edp Sciences‎(2009)‎

Access to resources Favorite 12.890522

By Serna Maria   Xhafa Fatos   in RAIRO - Theoretical Informatics and Applications

ISSN:0988-3754|33|1|33-45

Edp Sciences‎(2010)‎

Access to resources Favorite 12.890522

By Velez-Serna Maria A.   in Historical Journal of Film, Radio and Television

ISSN:1465-3451|32|3|489-491

Routledge Ltd‎(2012)‎

Access to resources Favorite 12.084649

By Gabarró Joaquim   García Alina   Serna Maria   in RAIRO - Theoretical Informatics and Applications

ISSN:0988-3754|47|2|147-169

Edp Sciences‎(2013)‎

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By Freixas Josep   Molinero Xavier   Olsen Martin   Serna Maria   in RAIRO - Operations Research

ISSN:0399-0559|45|4|295-314

Edp Sciences‎(2012)‎

Access to resources Favorite 8.056576

By Díaz Josep   Goldberg Leslie   Mertzios George   Richerby David   Serna Maria   Spirakis Paul   in Algorithmica

ISSN:0178-4617|69|1|78-91

Springer Publishing Company ‎(2014)‎

Access to resources Favorite 6.445261

By ArchibaldDavidDavid Archibald is Lecturer in Film and Television Studies at the University of Glasgow. His monograph The war that won’t die: the Spanish Civil War in cinema was published by Manchester University Press in 2012. He has published widely on various aspects of Scotland’s cultural and political landscape and is currently completing a monograph on a production study of The Angels’ Share (Loach   2012).   Velez-SernaMariaMaria A. Velez-Serna is a post-doctoral researcher within the Early Cinema in Scotland research project at the University of Glasgow (AHRC AH/1020535/1). Her work on the emergence of regional film distribution   early exhibition practice   and the use of geo-databases for historical research has been presented at NECS   SCMS   Domitor   and Screen conferences. She has published on Scottish and Colombian cinema history and audiences in Post-Script and Particip@tions. Her chapter on showmanship practices in the 1910s was published in Performing New Media   1890-1915 (John Libbey   2014).   in NECSUS. European Journal of Media Studies

ISSN:2215-1222|3|2|155-175

Amsterdam University Press‎(2014)‎

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