Wassily Kandinskys frühe Bühnenkompositionen :Über Körperlichkeit und Bewegung ( Theatron )

Publication subTitle :Über Körperlichkeit und Bewegung

Publication series :Theatron

Author: Naoko Kobayashi-Bredenstein  

Publisher: De Gruyter‎

Publication year: 2012

E-ISBN: 9783110263367

P-ISBN(Paperback): 9783110263329

Subject:

Keyword: Wassily Kandinsky Experimental Theatre Stage Composition

Language: GER

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Description

In his synthetic stage art known as “stage composition” Wassily Kandinsky (1866-1944) revealed his concept of the Gesamtkunstwerk. This formed the foundation of his world view which saw the artist in a missionary role. In the “stage composition” he experimented with possibilities of portraying the mental realm on the stage and sought an appropriate language of form and color. This study is the first to present a complete interpretation of the four early stage compositions by means of an interdisciplinary body and movement analysis conducted from the perspectives of theatre studies and iconography. It explains the tetralogy as a precursor to ‘The Blue Rider’, Kandinsky’s self-portrait.

Chapter

Dank

pp.:  1 – 5

1. Einleitung

pp.:  5 – 11

3. Bewegung in den frühen Bühnenkompositionen

pp.:  29 – 67

4. Analyse der frühen Bühnenkompositionen I bis IV

pp.:  67 – 111

5. Schluss

pp.:  111 – 215

6. Anhang

pp.:  215 – 221

LastPages

pp.:  221 – 265

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