Eventfulness in British Fiction ( Narratologia )

Publication series :Narratologia

Author: Peter Hühn   Markus Kempf   Katrin Kroll   Jette K. Wulf  

Publisher: De Gruyter‎

Publication year: 2010

E-ISBN: 9783110213652

P-ISBN(Paperback): 9783110213645

Subject:

Keyword: Eventfulness British Literature Narratology Plot

Language: ENG

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Description

An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. The book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. The detailed analyses of 15 British novels or tales, from early modern times to the late 20th century, demonstrate how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts.

Chapter

Contents

pp.:  1 – 7

Frontmatter

pp.:  1 – 1

1. Introduction

pp.:  7 – 9

3. Aphra Behn: Oroonoko, or The Royal Slave: A True History (1688)

pp.:  25 – 39

4. Daniel Defoe: Moll Flanders (1722)

pp.:  39 – 57

5. Samuel Richardson: Pamela; or, Virtue Rewarded (1740)

pp.:  57 – 71

6. Henry Fielding: The History of Tom Jones, a Foundling (1749)

pp.:  71 – 82

7. Charles Dickens: Great Expectations (1861)

pp.:  82 – 95

8. Thomas Hardy: “On the Western Circuit” (1891)

pp.:  95 – 112

9. Henry James: “The Beast in the Jungle” (1903)

pp.:  112 – 122

10. James Joyce: “Grace” (1914)

pp.:  122 – 133

11. Joseph Conrad: The Shadow-Line: A Confession (1917)

pp.:  133 – 141

12. Virginia Woolf: “An Unwritten Novel” (1921)

pp.:  141 – 153

13. D. H. Lawrence: “Fanny and Annie” (1921)

pp.:  153 – 164

14. Katherine Mansfield: “At the Bay” (1922)

pp.:  164 – 172

15. John Fowles: “The Enigma” (1974)

pp.:  172 – 183

16. Graham Swift: Last Orders (1996)

pp.:  183 – 193

17. Conclusion

pp.:  193 – 209

LastPages

pp.:  209 – 222

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