Chapter
I. Oneness of Brush Strokes (I-Hua)
pp.：
16 – 16
II. Concealment in Nondifferentation (Mêng Yang)
pp.：
16 – 19
III. Harmonious Atmosphere (Yin Yün)
pp.：
19 – 20
IV. Sublimity as Aesthetic Achievement (Yüan Ch'en)
pp.：
20 – 21
V. Emptiness Versus Solidity ((Hsü Shih)
pp.：
21 – 22
VI. Living Spirit (Shêng Huo)
pp.：
22 – 23
VII. Liberation from Method (Liao Fa)
pp.：
23 – 24
A Biographical Sketch
pp.：
24 – 26
A Note on the Chinese Scripts
pp.：
26 – 30
A Discussion of Previous English Translations
pp.：
30 – 32
1. Oneness of Brush Strokes
pp.：
32 – 35
2. Liberation from Methods
pp.：
35 – 41
3. Transformation and Freedom
pp.：
41 – 45
4. The Value of Inborn Nature
pp.：
45 – 51
5. Unity of Brush Strokes and Ink Wash
pp.：
51 – 55
6. Motions of the Wrist
pp.：
55 – 60
7. Harmonious Atmosphere
pp.：
60 – 66
8. Reality of Mountains and Rivers
pp.：
66 – 71
9. Landscapes Expressed by Various Lines
pp.：
71 – 76
10. Threee Planes and Two Grounds
pp.：
76 – 81
11. Six Essentials
pp.：
81 – 84
12. Forests and Trees
pp.：
84 – 89
13. Oceans and Waves
pp.：
89 – 92
14. Expressions of the Four Seasons
pp.：
92 – 94
15. Sublimity and the Commonplace
pp.：
94 – 97
16. Purity through Wu-Wei
pp.：
97 – 100
17. Origin of Heaven and Completion by Man
pp.：
100 – 103
18. Creativity and the Fulfillment of Nature
pp.：
103 – 106
The Uninterrupted Translation
pp.：
106 – 113
1. Oneness of Brush Strokes
pp.：
113 – 115
2. Liberation from Methods
pp.：
115 – 117
3. Transformation and Freedom
pp.：
117 – 118
4. The Value of Inborn Nature
pp.：
118 – 119
5. Unity of Brush Strokes and Ink Wash
pp.：
119 – 120
6. Motions of the Wrist
pp.：
120 – 122
7. Harmonious Atmosphere
pp.：
122 – 124
8. Reality of Mountains and Rivers
pp.：
124 – 125
9. Landscapes Expressed by Various Lines
pp.：
125 – 127
10. Three Planes and Two Grounds
pp.：
127 – 129
11. Six Essentials
pp.：
129 – 130
12. Forests and Trees
pp.：
130 – 132
13. Oceans and Waves
pp.：
132 – 133
14. Expressions of the Four Seasons
pp.：
133 – 134
15. Sublimity and the Commonplace
pp.：
134 – 136
16. Purity through Wu-Wei
pp.：
136 – 137
17. Origin of Heaven and Completion by Man
pp.：
137 – 138
18. Creativity and the Fulfillment of Nature
pp.：
138 – 140
Final Remarks
pp.：
140 – 144
Bibliography
pp.：
144 – 146
Philosophy of Painting by Shih-T'ao
：A Translation and Exposition of his Hua-P'u (Treatise on the Philosophy of Painting)
( Studies in Philosophy )
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