Chapter
B. The Arabs
pp.：
47 – 53
(2) HISPANO-ARABIC PRIDE, NATIONALISM, AND SECULARISM
pp.：
53 – 54
(1) ARABIC INDIVIDUALISM AND HUMANISM
pp.：
53 – 53
(3) THE AWAKENING OF THE SENSES
pp.：
54 – 56
(5) ARABIC POETRY
pp.：
59 – 63
(1) ACCULTURATION AND CONTEST
pp.：
67 – 70
(2) HEBREW ACTIVISM
pp.：
70 – 76
(3) HEBREW HUMANISM, LIBERALISM, AND HERESY
pp.：
76 – 79
(4) THE BEGINNING OF HISPANO-HEBREW POETRY
pp.：
79 – 91
Notes to Part I
pp.：
91 – 99
PART II. THE ALHAMBRA – ART HISTORY
pp.：
99 – 105
A. Dramatis Personae (In Full)
pp.：
105 – 107
B. Ibn Gabirol’s Testimony: A Nature Poem and Encomium to a Maecenas and his Castle
pp.：
107 – 115
C. Location of Yehōṡeph ibn Naghrālla’s Alhambra Palace
pp.：
115 – 123
D. The Court of Lions
pp.：
123 – 124
(2) THE FOUNT OF LIONS
pp.：
124 – 132
(1) MODERN DESCRIPTIONS
pp.：
124 – 124
(3) ICONOGRAPHY AND IDENTITY
pp.：
132 – 138
(4) FURTHER DOCUMENTATION: THE NAGHRĀLLAS’ OTHER FANTASTIC ARCHITECTURE
pp.：
138 – 158
(5) SUMMARY
pp.：
158 – 167
(6) THE INSCRIPTION ON THE PRESENT BASIN
pp.：
167 – 188
(7) THE QUESTION OF THE ORIGINAL LOCATION AND FORM OF THE FOUNTAIN
pp.：
188 – 190
(8) THE MANUFACTURE OF THE LIONS
pp.：
190 – 191
(9) THE STYLE OF THE ALHAMBRA LIONS
pp.：
191 – 193
(10) THE COURT OF LIONS AND ITS WATER CHANNELS – DATING THE “ZĪRID” STRUCTURES
pp.：
193 – 195
E. Other Constructions and Works of Art found in the Present Alhambra which may have been Yehōṡeph ibn Naghālla’s
pp.：
195 – 201
F. Again Ibn Gabirol’s Poem: The other References to the Palace
pp.：
201 – 203
Notes to Part II
pp.：
203 – 211
PART III. THE ALHAMBRA PALACE – LITERARY STUDIES
pp.：
211 – 245
A. Introduction. Nature Poetry of the Eleventh Century
pp.：
245 – 247
(1) A BEE AND A PALM POEM
pp.：
247 – 248
(2) ARABIC NATURE POETRY – ITS DEVELOPMENT
pp.：
248 – 251
(3) POETICAL DESCRIPTIONS OF EDIFICES IN SPAIN
pp.：
251 – 256
(4) HISPANO-ARABIC SPRING AND GARDEN POETRY
pp.：
256 – 267
Notes to Part III A
pp.：
267 – 276
B. Ibn Gabirol’s Great Nature Poem
pp.：
276 – 278
(2) “THE LAND OF POETRY” – ARABIC AND HEBREW MYTHOPOETRY
pp.：
278 – 282
(1) IBN GABIROL AND NATURE
pp.：
278 – 278
(3) THE TWO THEMES
pp.：
282 – 285
(4) “THE POET’S LAND”: HERITAGE AND TRANSFORMATION
pp.：
285 – 302
(5) COMPLETION OF THE FRAME
pp.：
302 – 322
(6) CONCLUSION AND COMPARISON
pp.：
322 – 326
Notes to Part III B
pp.：
326 – 331
C. Ibn Gabirol’s Garden and Spring Poems
pp.：
331 – 346
(1) SPRING I: THE GARDEN BED RESURRECTED AND THE SUN
pp.：
346 – 346
(2) SPRING II: RAIN – THE CALLIGRAPHER
pp.：
346 – 353
(3) SPRING III: RAIN RESTORING NATURE AND THE POET AGONIZED BY LOVE
pp.：
353 – 354
(4) SPRING IV: ANNOUNCEMENT OF SPRING
pp.：
354 – 361
(5) SPRING V: NOCTURNAL WINTER’S END RAIN AND SPRING
pp.：
361 – 367
(6) SPRING VI: INVITATION TO A BANQUET
pp.：
367 – 371
D. Arabic Flower-Portraits
pp.：
371 – 379
E. Ibn Gabirol: The Present of Roses
pp.：
379 – 381
Notes to Part III C, D, E
pp.：
381 – 391
Abbreviations
pp.：
391 – 393
Index A: Proper Names (including dynasties, nations, religions, sects)
pp.：
393 – 397
Index B: Subjects of Fine Arts
pp.：
397 – 410
Index C: Literary Subjects (including Metaphors)
pp.：
410 – 414
Index D: Geographic Names
pp.：
414 – 420
Index E: Book Titles
pp.：
420 – 422
Index F: Poems listed by their Beginning Words
pp.：
422 – 424
Index G: Foreign Words
pp.：
424 – 426
List of Illustrations
pp.：
426 – 429
The Alhambra
：A Cycle of Studies on the Eleventh Century in Moorish Spain
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