Principles of Visual Anthropology

Author: Paul Hockings  

Publisher: De Gruyter Mouton‎

Publication year: 1995

E-ISBN: 9783110290691

P-ISBN(Paperback): 9783110126273

Subject:

Language: ENG

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Description

This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.

Chapter

Preface

pp.:  1 – 5

Foreword

pp.:  5 – 7

INTRODUCTION

pp.:  7 – 13

McCarty’s Law and How to Break it

pp.:  73 – 97

SOME RECENT APPROACHES TO ANTHROPOLOGICAL FILM

pp.:  97 – 105

The Camera and Man

pp.:  105 – 107

Observational Cinema

pp.:  107 – 127

Beyond Observational Cinema

pp.:  127 – 143

Idea and Event in Urban Film

pp.:  143 – 161

Research Filming of Naturally Occurring Phenomena: Basic Strategies

pp.:  161 – 175

VISUAL ANTHROPOLOGY AND THE PAST

pp.:  175 – 189

Ethnographic Film and History

pp.:  189 – 191

Reconstructing Cultures on Film

pp.:  191 – 209

The Role of Film in Archaeology

pp.:  209 – 221

Ethnographic Photography in Anthropological Research

pp.:  221 – 229

Our Totemic Ancestors and Crazed Masters

pp.:  229 – 245

SOME SPECIALIZED USES OF FILM AND VIDEOTAPE

pp.:  245 – 261

Photography and Visual Anthropology

pp.:  261 – 263

Videotape: New Techniques of Observation and Analysis in Anthropology

pp.:  263 – 283

Filming Body Behavior

pp.:  283 – 313

Audiovisual Tools for the Analysis of Culture Style

pp.:  313 – 343

Film in Ethnographic Research

pp.:  343 – 363

THE PRESENTATION OF ANTHROPOLOGICAL INFORMATION

pp.:  363 – 389

Ethnographies on the Airwaves: The Presentation of Anthropology on American, British, Belgian and Japanese Television

pp.:  389 – 391

The First Videotheque

pp.:  391 – 427

Funding Ethnographic Film and Video Productions in America

pp.:  427 – 441

Ethnographic Filmmaking for Japanese Television

pp.:  441 – 469

Matters of Fact

pp.:  469 – 485

THE FUTURE OF VISUAL ANTHROPOLOGY

pp.:  485 – 507

The Tribal Terror of Self-Awareness

pp.:  507 – 509

Visual Records, Human Knowledge, and the Future

pp.:  509 – 521

Conclusion: Ethnographic Filming and Anthropological Theory

pp.:  521 – 535

APPENDICES

pp.:  535 – 559

Resolution on Visual Anthropology

pp.:  559 – 561

Note on Filmography

pp.:  561 – 563

Biographical Notes

pp.:  563 – 567

Index of Films

pp.:  567 – 573

Index of Names

pp.:  573 – 576

Index of Subjects

pp.:  576 – 582

LastPages

pp.:  582 – 593

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