Chapter
How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back
pp.：
57 – 77
Interpretation and meaning in music
pp.：
77 – 95
Music and semantics
pp.：
95 – 105
The application of Hjelmslev’s glossematics to music
pp.：
105 – 123
The musical work as sign: Significative constituents, layers, structure
pp.：
123 – 137
Asaf’ev and Tynianov: On some analogies between musicology and the study of literature
pp.：
137 – 155
Intonation as a specific form of musical semiosis
pp.：
155 – 169
Musical intonation – language of intuition and logic: A contribution to the system of the semiotics of intonation in music
pp.：
169 – 203
Empirical studies
pp.：
203 – 211
“The voice of the heart”: A progressive semiosis on the interval of the sixth
pp.：
211 – 213
Pertinence in music
pp.：
213 – 223
Meaning and behavior patterns: The creation of meaning in interpreting and listening to music
pp.：
223 – 233
On the genesis of the musical sign
pp.：
233 – 243
Art evolution in the light of brain asymmetry: A trial of empirical investigation
pp.：
243 – 281
A semio-psychological theory of communication in music
pp.：
281 – 293
Character and characterization in musical performance: Effects of sensory experience upon meaning
pp.：
293 – 299
Tempo deviations and musical signification: A case study
pp.：
299 – 315
The pitch of glide-like F0 curves in Votic folksongs
pp.：
315 – 333
The concept of hierarchy: A theoretical approach
pp.：
333 – 339
Musical pragmatics and computer modelling
pp.：
339 – 349
Some relationships between terminology, analytic strategies, and computational methodologies
pp.：
349 – 363
Semiotic bases and computer assisted composition: Towards a cognitive model
pp.：
363 – 369
Experiments on grammar-based analysis of music
pp.：
369 – 375
Analyses of musical styles and texts
pp.：
375 – 385
Metaphor in music
pp.：
385 – 387
Performative musical acts: The Verdian achievement
pp.：
387 – 407
Peirce’s “ground” and 19th-century Lieder
pp.：
407 – 427
The couples who remain: With reference to “Ici-bas” by Sully Prudhomme and Fauré
pp.：
427 – 437
“Apres un rêve”: A semiotic analysis of the song by Gabriel Fauré
pp.：
437 – 449
The problem of narrativity in the symphonic poem En saga by Jean Sibelius
pp.：
449 – 485
Orchestration and form in Leos Janáček’s Concertino: An analysis of intratextural interaction
pp.：
485 – 509
“Music becomes language”: Narrative strategies in El cimarrón by Hans-Werner Henze
pp.：
509 – 525
Narrativity and electroacoustic music
pp.：
525 – 549
On the sound dimension of prehistoric painted caves and rocks
pp.：
549 – 555
The mythical in non-programmatic music
pp.：
555 – 573
The symbol of the tree in musical Jugendstil
pp.：
573 – 579
Aspects of the “Dance of Death” as a semiotic system
pp.：
579 – 589
Musical Signification
：Essays in the Semiotic Theory and Analysis of Music
( Approaches to Semiotics AS )
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