Raffael als Paradigma :Rezeption, Imagination und Kult im 19. Jahrhundert ( Klassizistisch-romantische Kunst(t)räume )

Publication subTitle :Rezeption, Imagination und Kult im 19. Jahrhundert

Publication series :Klassizistisch-romantische Kunst(t)räume

Author: Gilbert Heß   Elena Agazzi   Elisabeth Décultot  

Publisher: De Gruyter‎

Publication year: 2011

E-ISBN: 9783110255638

P-ISBN(Paperback): 9783110255621

Subject:

Keyword: Aesthetics Art Criticism Raphael

Language: GER

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Description

This book, the second volume of the series Klassizistisch-romantische Kunst(t)räume, follows on directly from issues examined in the first volume. Both Graecomania and the Raphael cult can be viewed as concepts of salvation that are translated into the field of aesthetics and that reference each other complementarily. The adulation of Raphael was a notable feature of 19th-century art criticism and art history as well as of literature and music history. Raphael became a paradigm: he served as a screen onto which not only art-theoretical but also religious and social notions were projected, positing the ideal role and status of the artist and of people in general in his time

Chapter

Vorwort

pp.:  1 – 9

3. Rezeptions- und Adaptationsformen in der bildenden Kunst

pp.:  125 – 205

4. Der Raffaelkult und die Diskussion ästhetisch-philosophischer Konzepte Raffael und Michelangelo: Renaissance – Barock?

pp.:  205 – 267

5. Methodendiskussion und die Entwicklung der Kunstgeschichte

pp.:  267 – 343

Abbildungsverzeichnis

pp.:  343 – 419

Autorinnen und Autoren

pp.:  419 – 423

Personenregister

pp.:  423 – 425

Sachregister

pp.:  425 – 439

LastPages

pp.:  439 – 457

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