Description

List of Illustrations viiiAcknowledgements xiiiNotes on Contributors xivPart 1 Editors’ Introduction 1Part 2 General 111 The “Englishness” of English Art Theory 13
Mark A. Cheetham2 Modernity and the British 38
Andrew Ballantyne3 English Art and Principled Aesthetics 60
Janet WolffPart 3 Institutions 774 “Those Wilder Sorts of Painting”: the Painted Interior in the Age of Antonio Verrio 79
Richard Johns5 Nineteenth-Century Art Institutions and Academies 105
Colin Trodd6 Crossing the Boundary: British Art across Victorianism and Modernism 131
David Peters Corbett7 British Pop Art and the High/Low Divide 156
Simon Faulkner8 When Attitudes Became Formless: Art and Antagonism in the 1960s 180
Jo ApplinPart 4 Nationhood 1999 Art and Nation in Eighteenth-Century Britain 201
Cynthia Roman10 International Exhibitions: Linking Culture, Commerce, and Nation 220
Julie F. Codell11 Itinerant Surrealism: British Surrealism either side of the Second World War 241
Ben Highmore12 55° North 3° West: a Panorama from Scotland 265
Tom Normand13 Retrieving, Remapping, and Rewriting Histories of British Art: Lubaina Humid’s “Revenge” 289
Dorothy RowePart 5 Landscape 31514 Defining, Shaping, and Picturing Landscape in the Nineteenth Century 317
Anne Helmreich15 Theories of the Picturesque 351
Michael Charlesworth16 Landscape into Art: Painting and Place-Making in England, c.1760–1830 373
Tom Williamson17 Landscape Painting, c.1770–1840 397
Sam Smiles18 Landscape and National Identity: the Phoenix Park Dublin 422
Dana ArnoldPart 6 Men and Women 44919 The Elizabethan Miniature 451
Dympna Callaghan20 “The Crown and Glory of a Woman”: Female Chastity in Eighteenth-Century British Art 473
Kate Retford21 Serial Portraiture and the Death of Man in Late-Eighteenth-Century Britain 502
Whitney Davis22 Virtue, Vice, Gossip, and Sex: Narratives of Gender in Victorian and Edwardian Painting 532
Pamela M. FletcherIndex 552