![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Author: King Miriam
Publisher: Winchester University
ISSN: 0960-6106
Source: Total Theatre Magazine, Vol.21, Iss.1, 2009-03, pp. : 14-14
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Total Theatre Magazine, Vol. 17, Iss. 2, 2005-06 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Do You Know I Am Looking at You? Visual Pleasure and Body Politics in Tsai Ming-Liang's Films
By Wu I-fen
Asian Cinema, Vol. 22, Iss. 2, 2012-02 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
In Front of the Camera, Behind the Camera: Ullmann Directs Bergman
Projections, Vol. 5, Iss. 2, 2011-12 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Camera as a Container: Jonathan Caouette's Tarnation
Projections, Vol. 1, Iss. 2, 2007-12 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Circular Camera Movement: Style, Narration, and Embodiment
Projections, Vol. 8, Iss. 2, 2014-0 ,pp. :