“In the End, the One Who has Nothing Wins”: Louise Glück and the Poetics of Anorexia

ISSN： 1043-6928

Source： LIT: Literature Interpretation Theory, Vol.17, Iss.1, 2006-01, pp. : 49-76

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

A poetics of nothing: Air in the early modern imagination

By Mentz Steve

postmedieval: a journal of medieval cultural studies, Vol. 4, Iss. 1, 2013-01 ,pp. : 30-41

Palgrave Macmillan Ltd

Access to resources Recommend Favorite

Something for nothing: the poetic series and the short verse line in Rosmarie Waldrop's Nothing Has Changed

By Marshall Alan

Textual Practice, Vol. 28, Iss. 3, 2014-04 ,pp. : 473-500

Routledge Ltd

Access to resources Recommend Favorite

Perpetually Beginning Until the End of the Fair: The paratextual poetics of serialised novels

By Allen Robert

Neohelicon, Vol. 37, Iss. 1, 2010-06 ,pp. : 181-189

Springer Publishing Company

Access to resources Recommend Favorite

‘Come Who So Wyll’: Inclusive Poetics in Skelton’s Elynour Rummynge

By Lecky Kat

Exemplaria, Vol. 25, Iss. 1, 2013-01 ,pp. : 59-78

Maney Publishing

Access to resources Recommend Favorite

The Witch Who Is Not One: The Fragmented Body in Early Modern Demonological Tracts

By Rosner Anna

Exemplaria, Vol. 21, Iss. 4, 2009-01 ,pp. : 363-379

Maney Publishing

Access to resources Recommend Favorite