Point of View, Perspective, and Focalization :Modeling Mediation in Narrative ( Narratologia )

Publication subTitle :Modeling Mediation in Narrative

Publication series :Narratologia

Author: Peter Hühn   Wolf Schmid   Jörg Schönert  

Publisher: De Gruyter‎

Publication year: 2009

E-ISBN: 9783110218916

P-ISBN(Paperback): 9783110218909

Subject: I0-05 Literature and other sciences)

Keyword: Point of View Perspective Focalization Mediation Narratology

Language: ENG

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Description

Stories do not actually exist in the world but are created and structured – modeled – through the process of mediation, i.e. through the means and techniques by which they are represented. This is an important field, not only for narratology but also for literary and media studies. The articles in this volume, contributed by international scholars from seven countries, address this problem anew by reviewing the differentiation of mediation and re-defining its dimensions both in literary texts and other media such as drama and theater, film, and computer games.

Chapter

Frontmatter

pp.:  1 – 5

Contents

pp.:  5 – 7

Introduction

pp.:  7 – 17

The DNS of Mediacy

pp.:  17 – 47

Focalization: Where Do We Go from Here?

pp.:  47 – 65

Perspectivization and Focalization: Two Concepts—One Meaning? An Attempt at Conceptual Differentiation

pp.:  65 – 85

A Brief Introduction to an Enunciative Approach to Point of View

pp.:  85 – 105

Narrative and Stylistic Agency: The Case of Overt Narration

pp.:  105 – 125

Beyond Voice and Vision: Cognitive Grammar and Focalization Theory

pp.:  125 – 149

Plural Focalization, Singular Voices: Wandering Perspectives in “We”-Narration

pp.:  149 – 169

A Comparative Analysis of Indices of Narrative Point of View in Bulgarian and English

pp.:  169 – 189

Focalization, the Subject and the Act of Shaping Perspective

pp.:  189 – 207

Coming to Our Senses: Narratology and the Visual

pp.:  207 – 227

Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater

pp.:  227 – 249

Focalization, Ocularization and Auricularization in Film and Literature

pp.:  249 – 265

Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self-Reflexive Fiction Films

pp.:  265 – 285

Perspective in Contemporary Computer Games

pp.:  285 – 307

Backmatter

pp.:  307 – 312

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