All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005)

Author： Smith Alison  

Publisher： Berghahn Journals

ISSN： 1752-2331

Source： Journal of Romance Studies, Vol.10, Iss.2, 2010-06, pp. : 37-52

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

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