![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Author: Kovács András Bálint
Publisher: Berghahn Journals
ISSN: 1934-9688
Source: Projections, Vol.5, Iss.1, 2011-06, pp. : 51-68
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Film style and narration in Rashomon
By Redfern Nick
Journal of Japanese & Korean Cinema, Vol. 5, Iss. 1-2, 2013-04 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Hollywood Incoherent: Narration in Seventies Cinema
By Taylor Aaron
Projections, Vol. 5, Iss. 2, 2011-12 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Music as an Element of Narration in Poetic Documentaries
The New Soundtrack, Vol. 8, Iss. 2, 2018-09 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Circular Camera Movement: Style, Narration, and Embodiment
Projections, Vol. 8, Iss. 2, 2014-0 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Reduced Narration, Intensified Emotion: The Film Trailer
Projections, Vol. 8, Iss. 1, 2014-01 ,pp. :