Shadow Archetypes in Ang Lee’s Crouching Tiger, Hidden Dragon and The Hulk: A Jungian Perspective

ISSN： 2049-6710

Source： Asian Cinema, Vol.15, Iss.2, 2004-09, pp. : 120-132

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Crouching Tiger Hidden Dragon, Hero, and House of the Flying Daggers: Interpreting Gender Thematics in the Contemporary Swordplay Film -- A View From the West

By Levitin Jacqueline

Asian Cinema, Vol. 17, Iss. 1, 2006-03 ,pp. : 166-182

Intellect Books

Access to resources Recommend Favorite

Ang Lee's America, in living colour

By Silbergeld Jerome

Journal of Chinese Cinemas, Vol. 6, Iss. 3, 2012-11 ,pp. : 283-297

Intellect Books

Access to resources Recommend Favorite

Not Notorious Enough: The Transnational Feminism of Ang Lee's Lust, Caution and Its American Reception

By Hamer Molly

Asian Cinema, Vol. 22, Iss. 2, 2012-02 ,pp. : 322-351

Intellect Books

Access to resources Recommend Favorite

On the Dragon Lady’s Trail Rediscovering the Films and Image of Anna May Wong in Classical Hollywood Cinema

By Worrell Joseph

Asian Cinema, Vol. 14, Iss. 2, 2003-09 ,pp. : 3-34

Intellect Books

Access to resources Recommend Favorite

Ghosts in the Theatre: Generic play and temporality in Tsai Ming-liang’s Goodbye, Dragon Inn

By Stuckey G. Andrew

Asian Cinema, Vol. 25, Iss. 1, 2014-04 ,pp. : 33-48

Intellect Books

Access to resources Recommend Favorite