Related content

‘It's the End of the World!’: The Paradox of Event and Body in Hitchcock's The Birds

By Lessard Bruno  

Film-Philosophy, Vol. 14, Iss. 1, 2010-02 ,pp. : 144-173

Edinburgh University Press

Access to resources Recommend Favorite

Hitchcock and Hume Revisited: Fear, Confusion and Stage Fright

By Orr John  

Film-Philosophy, Vol. 11, Iss. 1, 2007-02 ,pp. : 49-60

Edinburgh University Press

Access to resources Recommend Favorite

Hitchcock, Hume, and the Matrix of Modern Cinema: John Orr (2005) Hitchcock and Twentieth-Century Cinema

By Sterritt David  

Film-Philosophy, Vol. 11, Iss. 3, 2007-10 ,pp. : 238-246

Edinburgh University Press

Access to resources Recommend Favorite

Beyond Internalism and Externalism: Husserl and Sartre's Image Consciousness in Hitchcock and Buñuel

By Minissale Gregory  

Film-Philosophy, Vol. 14, Iss. 1, 2010-02 ,pp. : 174-201

Edinburgh University Press

Access to resources Recommend Favorite

Joe McElhaney (2006) The Death of Classical Cinema: Hitchcock, Lang, Minnelli

By Fife Lucy  

Film-Philosophy, Vol. 11, Iss. 3, 2007-10 ,pp. : 214-223

Edinburgh University Press

Access to resources Recommend Favorite