Rhonda K. Garelick, Electric Salome: Loie Fuller's Performance of Modernism. Princeton and Oxford: Princeton University Press, 2007, 246 pp., illustrated. ISBN: 978-0691141091. Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Loïe Fuller, Middletown, CT: Wesleyan University Press, 2007, 230 pp., illustrated. ISBN: 978-0819568434.

By J Hanna  

Dance Research, Vol. 28, Iss. 1, 2010-05 ,pp. : 109-113

Edinburgh University Press

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Mawer, Deborah. The Ballets of Maurice Ravel. Creation and Interpretation. Aldershot, Hants: Ashgate, 2006. 332 pp. 35 b/w illus. ISBN 0754630292. hb £55.00.

By Duerden Rachel  

Dance Research, Vol. 26, Iss. 1, 2008-04 ,pp. : 65-66

Edinburgh University Press

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Ann Cooper Albright, Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing, Middletown, CT: Wesleyan University Press, 2010, xii+81 pp. with 60 (mostly) colour and monochrome illustrations. $29.95 (hbk). ISBN 9780819570772.

By Crisp Clement  

Dance Research, Vol. 30, Iss. 1, 2012-05 ,pp. : 103-104

Edinburgh University Press

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Marcia B. Siegel, Mirrors and Scrims: The Life and Afterlife of Ballet, Middletown, CT: Wesleyan University Press, 2010, xiv + 398 pp., with 27 monochrome illustrations. $85.00 and $27.95. ISBN 9780819568755 (pbk) and 9780819569264 (hbk).

By Clement Crisp  

Dance Research, Vol. 30, Iss. 2, 2012-11 ,pp. : 209-212

Edinburgh University Press

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Robert Mullally, The Carole: A Study of a Medieval Dance, Farnham: Ashgate, 2011, xvi + 148 pp., with nine colour plates. £50.00 (hbk). ISBN 9781409412489.

By Nevile Jennifer  

Dance Research, Vol. 30, Iss. 2, 2012-11 ,pp. : 197-199

Edinburgh University Press

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