From Shorty Blake to Tubby Binns: Dunkirk and the Representation of Working-Class Masculinity in Postwar British Cinema

By Plain Gill  

Journal of British Cinema and Television, Vol. 9, Iss. 2, 2012-04 ,pp. : 177-197

Edinburgh University Press

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‘The Technique of the Talkie’: Screenwriting Manuals and the Coming of Sound to British Cinema

By Gritten Daniel  

Journal of British Cinema and Television, Vol. 5, Iss. 2, 2008-11 ,pp. : 262-279

Edinburgh University Press

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Early Doors and the Working-class Idyll

By Baker Stephen  

Journal of British Cinema and Television, Vol. 10, Iss. 1, 2013-01 ,pp. : 224-240

Edinburgh University Press

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Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema

By Barnwell Jane  

Journal of British Cinema and Television, Vol. 2, Iss. 1, 2005-05 ,pp. : 117-129

Edinburgh University Press

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Johnny Walker, Contemporary British Horror Cinema: Industry, Genre and Society

By Edwards-Behi Nia  

Journal of British Cinema and Television, Vol. 13, Iss. 2, 2016-04 ,pp. : 334-336

Edinburgh University Press

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