What's On? Film Programming, Structured Choice and the Production of Cinema Culture in Contemporary Britain

ISSN： 1755-1714

Source： Journal of British Cinema and Television, Vol.7, Iss.2, 2010-08, pp. : 264-298

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema

By Barnwell Jane

Journal of British Cinema and Television, Vol. 2, Iss. 1, 2005-05 ,pp. : 117-129

Edinburgh University Press

Access to resources Recommend Favorite

The Production Line: Reflections on the Role of the Film Producer in British Cinema

By Spicer Andrew

Journal of British Cinema and Television, Vol. 1, Iss. 1, 2004-05 ,pp. : 33-50

Edinburgh University Press

Access to resources Recommend Favorite

Cinema Culture on the Internet: A Report

By Craig Tom

Journal of British Cinema and Television, Vol. 2, Iss. 2, 2005-11 ,pp. : 329-337

Edinburgh University Press

Access to resources Recommend Favorite

London and Contemporary Britain in Monkey Dust

By Monk Claire

Journal of British Cinema and Television, Vol. 4, Iss. 2, 2007-11 ,pp. : 337-360

Edinburgh University Press

Access to resources Recommend Favorite

Cinema for Sale: The Impact of the Multiplex on Cinema-going in Britain, 1985-2000

By Smith Justin

Journal of British Cinema and Television, Vol. 2, Iss. 2, 2005-11 ,pp. : 242-255

Edinburgh University Press

Access to resources Recommend Favorite