Amy Holdsworth, Television, Memory and Nostalgia (Basingstoke: Palgrave Macmillan, 2011), pp. xii + 173, 39 illus., ISBN 9780230245983 (hb), £50.

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Journal of British Cinema and Television, Vol. 9, Iss. 4, 2012-10 ,pp. : 656-658

Edinburgh University Press

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Trisha Dunleavy, Television Drama. Form, Agency, Innovation (Basingstoke: Palgrave Macmillan, 2009), pp. xi +278, 24 illus., ISBN 978 0 230 54441 9 (hb), £50.

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Journal of British Cinema and Television, Vol. 7, Iss. 2, 2010-08 ,pp. : 349-352

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James Chapman, Mark Glancy and Sue Harper (eds), The New Film History: Sources, Methods, Approaches (Basingstoke and New York: Palgrave Macmillan, 2007), pp. xi +256, ISBN 978 0 230 00169 5 (hb), £55.

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Journal of British Cinema and Television, Vol. 5, Iss. 1, 2008-05 ,pp. : 197-199

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Scott Anthony and James G. Mansell (eds), The Projection of Britain: A History of the GPO Film Unit (Basingstoke: Palgrave Macmillan/BFI, 2011), pp. ix + 338, 98 illus., ISBN 978 1 84457 5 (pb), £22.50, ISBN 978 1 84457 375 2 (hb), £65.

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Journal of British Cinema and Television, Vol. 10, Iss. 3, 2013-07 ,pp. : 541-544

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Robert Dillon, History on British Television: Constructing Nation, Nationality and Collective Memory (Manchester: Manchester University Press, 2010), pp. xvi + 234, 4 illus., ISBN 978 0 7190 8092 0 (hb), £60.00.

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Journal of British Cinema and Television, Vol. 8, Iss. 3, 2011-10 ,pp. : 451-453

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