Melanie Bell, Femininity in the Frame: Women and 1950s British Popular Cinema (London: I. B. Tauris, 2010), pp. 226, ISBN 978 1 84885 159 7 (pb), £16.99.

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Journal of British Cinema and Television, Vol. 8, Iss. 3, 2011-10 ,pp. : 453-456

Edinburgh University Press

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Justin Smith, Withnail and Us: Cult Films and Film Cults in Britain (London: I. B. Tauris, 2010), pp. 256, ISBN 978 1 84885 092 7 (pb), £16.99.

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Journal of British Cinema and Television, Vol. 8, Iss. 1, 2011-04 ,pp. : 146-149

Edinburgh University Press

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Maggie Brown, A Licence to be Different: The Story of Channel 4 (London: British Film Institute, 2007), pp. xii + 356, 16 illus., ISBN 978 1 84457 205 2 (pb), £16.00. Dorothy Hobson, Channel 4: The Early Years and the Jeremy Isaacs Legacy (London: I. B. Tauris, 2008), pp. xii + 217, ISBN 978 1 84511 613 2 (pb), £15.99.

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Journal of British Cinema and Television, Vol. 5, Iss. 2, 2008-11 ,pp. : 414-417

Edinburgh University Press

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Niall Richardson, The Queer Cinema of Derek Jarman (London: I. B. Tauris, 2009), pp. ix + 246, 15 illus., ISBN 978 1 84511 537 1 (pb), £15.99.

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Journal of British Cinema and Television, Vol. 6, Iss. 3, 2009-12 ,pp. : 508-511

Edinburgh University Press

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James Chapman and Nicholas J. Cull, Projecting Empire: Imperialism and Popular Cinema (London and New York: I. B. Tauris, 2009), pp xii + 244, ISBN 978 1 84511 940 9 (pb), £15.99.

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Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 167-171

Edinburgh University Press

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