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Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 53-68

Edinburgh University Press

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Guy Barefoot, Gaslight Melodrama: From Victorian London to 1940s Hollywood

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Rough Crossings and Congo: White King, Red Rubber, Black Death: Documentary, Drama and Radical Otherness in History Programming

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Journal of British Cinema and Television, Vol. 7, Iss. 3, 2010-12 ,pp. : 459-478

Edinburgh University Press

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Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts (Z.0.0.)

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Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 82-94

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‘It's a Film’: Medium Specificity as Textual Gesture in Red Road and The Unloved

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