Middlebrow Knowingness in 1950s San Francisco: The Kingston Trio, Beat Counterculture, and the Production of “Authenticity”

Author： Bareiss Warren  

Publisher： Routledge Ltd

ISSN： 0300-7766

Source： Popular Music & Society, Vol.33, Iss.1, 2010-02, pp. : 9-33

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Counterculture Kaleidoscope: Musical and Cultural Perspectives on Late Sixties San Francisco

By Herriges Greg  

Popular Music & Society, Vol. 33, Iss. 1, 2010-02 ,pp. : 132-134

Routledge Ltd

Access to resources Recommend Favorite

The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s

By  

Journal of the Society for American Music, Vol. 5, Iss. 2, 2011-04 ,pp. : 235-270

Cambridge University Press

Access to resources Recommend Favorite

“I'm Set Free…”: The Velvet Underground, 1960s Counterculture, and Michel Foucault

By Bannister Matthew  

Popular Music & Society, Vol. 33, Iss. 2, 2010-05 ,pp. : 163-178

Routledge Ltd

Access to resources Recommend Favorite

'A Comfortable Society': The 1950s and Opera in Australia

By Halliwell Michael  

Word and Music Studies, Vol. 4, Iss. 1, 2002-10 ,pp. : 277-297

Rodopi

Access to resources Recommend Favorite

PETER MAXWELL DAVIES IN THE 1950S: A CONVERSATION WITH THE COMPOSER

By  

Tempo, Vol. 64, Iss. 254, 2010-10 ,pp. : 11-19

Cambridge University Press

Access to resources Recommend Favorite