![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Author: Vaughan Mike
Publisher: Routledge Ltd
ISSN: 0749-4467
Source: Contemporary Music Review, Vol.19, Iss.4, 2000-01, pp. : 7-37
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Contemporary harpsichord music in The Netherlands
Contemporary Music Review, Vol. 19, Iss. 4, 2000-01 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Musical Work: Reality or Invention? Michael Talbot (ed.)
Journal of New Music Research, Vol. 31, Iss. 4, 2002-12 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
A perceptual approach to contemporary musical forms
Contemporary Music Review, Vol. 4, Iss. 1, 1989-01 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Influence of Musical Context on Tempo Rubato
By Timmers Renee Ashley Richard Desain Peter Heijink Hank
Journal of New Music Research, Vol. 29, Iss. 2, 2000-06 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Cultural context in musical instrument learning
British Journal of Music Education, Vol. 14, Iss. 3, 1997-11 ,pp. :