Stele — a gravestone as end or Beginning? György Kurtág's long march towards the orchestra

By Toop Richard  

Contemporary Music Review, Vol. 20, Iss. 2-3, 2001-01 ,pp. : 129-149

Routledge Ltd

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“… folly for t[w]o …”: Samuel Beckett's What is the Word and György Kurtág's mi is a szó Opus 30

By Kunkel Michael   Williams Alan  

Contemporary Music Review, Vol. 20, Iss. 2-3, 2001-01 ,pp. : 109-127

Routledge Ltd

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Creative Thinking Processes in Adolescent Computer-based Composition: an analysis of strategies adopted and the influence of instrumental music training

By SEDDON FREDERICK A.   O'NEILL SUSAN A.  

Music Education Research, Vol. 5, Iss. 2, 2003-01 ,pp. : 125-137

Routledge Ltd

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Kurtág, Modernity, Modernisms

By Williams Alan  

Contemporary Music Review, Vol. 20, Iss. 2-3, 2001-01 ,pp. : 51-69

Routledge Ltd

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Existential Crises in Composition Mentorship and the Creation of Creative Agency

By Applebaum Mark  

Contemporary Music Review, Vol. 31, Iss. 4, 2012-08 ,pp. : 257-268

Routledge Ltd

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