Berio's Sequenza IV: Approaches to performance and interpretation

ISSN： 0749-4467

Source： Contemporary Music Review, Vol.26, Iss.2, 2007-04, pp. : 189-205

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Performing Berio's Sequenza V

By Webb Barrie

Contemporary Music Review, Vol. 26, Iss. 2, 2007-04 ,pp. : 207-218

Routledge Ltd

Access to resources Recommend Favorite

Instruments from an Instrument: Schaefferian ‘Instrumental Analysis’ and Berio's Sequenza V for Solo Trombone

By Dack John

Contemporary Music Review, Vol. 32, Iss. 5, 2013-10 ,pp. : 437-445

Routledge Ltd

Access to resources Recommend Favorite

Performance and Interpretation

By Mazzola Guerino Göller Stefan

Journal of New Music Research, Vol. 31, Iss. 3, 2002-09 ,pp. : 221-232

Routledge Ltd

Access to resources Recommend Favorite

Performing Sequenza VII

By Redgate Christopher

Contemporary Music Review, Vol. 26, Iss. 2, 2007-04 ,pp. : 219-230

Routledge Ltd

Access to resources Recommend Favorite

Listening as a Letter of Uriah: A note on Berio's Un re in ascolto (1984) on the occasion of the opera's first performance in London (9 February 1989)

Cambridge Opera Journal, Vol. 2, Iss. 2, 1990-07 ,pp. : 173-185

Cambridge University Press

Access to resources Recommend Favorite