Gender and Modernity in Post-War British Cinema; a case study of Young Wives' Tale (1951)

ISSN： 0961-2025

Source： Women's History Review, Vol.16, Iss.2, 2007-04, pp. : 227-243

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Thea Astley: a woman among the satirists of post-war modernity

By Sheridan Susan

Australian Feminist Studies, Vol. 18, Iss. 42, 2003-11 ,pp. : 261-271

Routledge Ltd

Access to resources Recommend Favorite

GENDER AND WAR, GENDER AND PEACE

By Woollacott Angela

Australian Feminist Studies, Vol. 21, Iss. 51, 2006-11 ,pp. : 389-391

Routledge Ltd

Access to resources Recommend Favorite

Popular Discourses on the Neurotypical Woman: Conformity, Authority and Post-War Femininities

By Bombaci Nancy

Women: a Cultural Review, Vol. 23, Iss. 2, 2012-06 ,pp. : 139-162

Routledge Ltd

Access to resources Recommend Favorite

The feckless mother: women, poverty and social workers in wartime and post-war England

By Starkey Pat

Women's History Review, Vol. 9, Iss. 3, 2000-09 ,pp. : 539-557

Routledge Ltd

Access to resources Recommend Favorite

Typical Girls?: Fuck Off, You Wanker! Re-Evaluating the Slits and Gender Relations in Early British Punk and Post-Punk

By COGAN BRIAN

Women's Studies, Vol. 41, Iss. 2, 2012-03 ,pp. : 121-135

Routledge Ltd

Access to resources Recommend Favorite