Author： Forbes Kenny
Publisher： Routledge Ltd
ISSN： 1470-1219
Source： Social Semiotics, Vol.22, Iss.5, 2012-11, pp. : 605-621
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
Terrorism as spectacle: It’s all for the audience
Explorations in Media Ecology, Vol. 14, Iss. 1-2, 2015-06 ,pp. :
Access to resources
Recommend
Syncopated Beats and the History of Sadness: The Affective Fusion of Audience and Film through Music
Religions, Vol. 7, Iss. 4, 2016-03 ,pp. :
Access to resources
Live music and urban landscape: mapping the beat in Liverpool
By Cohen Sara
Social Semiotics, Vol. 22, Iss. 5, 2012-11 ,pp. :
URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE
International Journal of Cultural Policy, Vol. 10, Iss. 1, 2004-03 ,pp. :
Researching live music: some thoughts on policy implications
International Journal of Cultural Policy, Vol. 17, Iss. 4, 2011-09 ,pp. :