Contents

pp.：  5 – 6

List of Contributors

pp.：  7 – 8

Foreword: Imagining the Manuscript and Printed Book in a Digital Age

pp.：  9 – 18

Text Comparison and Digital Creativity: An Introduction

pp.：  19 – 46

Part One Continuation and Innovation in E-Philology

pp.：  47 – 48

In the Beginning, when Making Copies used to be an Art... The Bible among Poets and Engineers

pp.：  49 – 74

Towards an Implementation of Jacob Lorhard's Ontology as a Digital Resource for Historical and Conceptual Research in Early Seventeenth-Century Thought

pp.：  75 – 94

Part Two Scholarly and Scientific Research

pp.：  95 – 96

Critical Editing and Critical Digitisation

pp.：  97 – 116

The Possibility of Systematic Emendation

pp.：  117 – 130

The Remarkable Struggle of Textual Criticism and Text-genealogy to become Truly Scientific

pp.：  131 – 144

Part Three Case Studies

pp.：  145 – 146

Seeing the Invisible: Computer Science for Codicology

pp.：  147 – 166

Concrete Abstractions: Ancient Texts as Artifacts and the Future of Their Documentation and Distribution in the Digital Age

pp.：  167 – 190

Ancient Scribes and Modern Encodings: The Digital Codex Sinaiticus

pp.：  191 – 206

Transmitting the New Testament Online

pp.：  207 – 224

Distributed Networks with/in Text Editing and Annotation

pp.：  225 – 244

Part Four Wider Perspectives on Developments in Digital Text Scholarship

pp.：  245 – 246

The Changing Nature of Text: A Linguistic Perspective

pp.：  247 – 270

New Mediums: New Perspectives on Knowledge Production

pp.：  271 – 286

Presence beyond Digital Philology

pp.：  287 – 308

Author Index

pp.：  309 – 311

Subject Index

pp.：  312 – 346