Contents

pp.：  5 – 6

Contributors

pp.：  7 – 10

Acknowledgments

pp.：  11 – 12

A Note on Transliteration

pp.：  13 – 14

Introduction

pp.：  15 – 46

Religion and Politics in Soviet and Eastern European Cinema: A Historical Survey

pp.：  47 – 76

Part One Institutional Powers

pp.：  77 – 78

Blessed Films: The Russian Orthodox Church and Patriotic Culture in the 2000s

pp.：  79 – 94

Russian Film Premieres in 2010/11: Sacralizing National History and Nationalizing Religion

pp.：  95 – 112

Longing for the Empire: State and Orthodox Church in Russian Religious Films

pp.：  113 – 134

A Cinematic Churchman: Metropolitan Andrey Sheptytsky in Oles Yanchuk’s Vladyka Andrey

pp.：  135 – 150

Part Two Sacred and Profane Images

pp.：  151 – 152

Rethinking History: Heroes, Saints, and Martyrs in Contemporary Russian Cinema

pp.：  153 – 172

The Godless Czechs? Cinema, Religion, and Czech National Identity

pp.：  173 – 196

Beyond the Surface, Beneath the Skin: Immanence and Transcendence in Györgi Pálfi’s Films

pp.：  197 – 212

Part Three Conflict, Trauma, and Memory

pp.：  213 – 214

Narrating the Shoah in Poland: Post-1989 Movies about Polish-Jewish Relations in Times of German Extermination Politics

pp.：  215 – 230

Memory, National Identity, and the Cross: Polish Documentary Films about the Smolensk Plane Crash

pp.：  231 – 250

Religion Visible and Invisible: The Case of Post-Yugoslav Anti-War Films

pp.：  251 – 264

Index

pp.：  265 – 270