A Wider Trecento ：Studies in 13th- and 14th-Century European Art Presented to Julian Gardner ( 1 )

Publication subTitle ：Studies in 13th- and 14th-Century European Art Presented to Julian Gardner

Publication series ：1

Author： Bourdua   Louise;Gibbs   Robert  

Publisher： Brill‎

Publication year： 2011

E-ISBN: 9789004226517

P-ISBN(Paperback): 9789004210769

P-ISBN(Hardback):  9789004210769

Subject： K History and Geography

Language： ENG

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Description

These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.

Chapter

List of Contributors

pp.：  9 – 10

List of Plates, Figures and Illustrations.

pp.：  11 – 15

Julian Gardner

pp.：  16 – 24

Bibliography of Julian Gardner’s Published Works

pp.：  25 – 34

Joanne Anderson

pp.：  25 – 34

INTRODUCTION

pp.：  35 – 38

Louise Bourdua and Robert Gibbs

pp.：  35 – 38

chapter one

pp.：  39 – 38

SIGNIFYING ABSENCE: EXPERIENCING MONOCHROME IMAGERY IN MEDIEVAL PAINTING∗

pp.：  39 – 54

Jill Bain

pp.：  39 – 54

chapter two

pp.：  55 – 54

A POSSIBLE COLONNA FAMILY STEMMA IN THE CHURCH OF SANTA PRASSEDE, ROME

pp.：  55 – 64

John Osborne

pp.：  55 – 64

chapter three

pp.：  65 – 64

SMALL WORLDS: THE ORBS IN THE WESTMINSTER RETABLE AND THE WILTON DIPTYCH

pp.：  65 – 72

Dillian Gordon

pp.：  65 – 72

chapter four

pp.：  73 – 72

DUCCIO AND DEVOTION TO THE VIRGIN‘S F00T IN EARLY SIENESE PAINTING

pp.：  73 – 95

Joanna Cannon

pp.：  73 – 95

chapter five

pp.：  96 – 95

A ROYAL GIFT FROM PARIS TO ASSISI: THE EVOLUTION OF DESIGN AND ICONOGRAPHY CIRCA 1300*

pp.：  96 – 116

Virginia Glenn

pp.：  96 – 116

chapter six

pp.：  117 – 116

THE ORIGINAL SETTING AND HISTORICAL CONTEXT OF THE FOURTEENTH-CENTURY ‘ANTHROPOMORPHIC TRINITY’ OF THE MUSEO DI ROMA AT PALAZZO BRASCHI*

pp.：  117 – 132

Claudia Bolgia

pp.：  117 – 132

chapter seven

pp.：  133 – 132

PATRONISING POVERTY: DEVOTIONAL IMAGERY AND THE FRANCISCAN SPIRITUALS IN ROMAGNA AND THE MARCHE

pp.：  133 – 150

Jill Farquhar

pp.：  133 – 150

chapter eight

pp.：  151 – 150

CELEBRATING THE SCHOLAR AND TEACHER: THE TOMB OF THOMAS GALLUS AT SANT’ANDREA IN VERCELLI (MID 14TH CENTURY)

pp.：  151 – 177

Martina Schilling

pp.：  151 – 177

chapter nine

pp.：  178 – 177

BARTOLOMEO AND JACOPINO DA REGGIO’S BRERA TRIPTYCH: A POSSIBLE SOURCE FOR ITS PROVENANCE

pp.：  178 – 187

Roberto Cobianchi

pp.：  178 – 187

chapter ten

pp.：  188 – 187

The Look of Love

pp.：  188 – 199

Anne Dunlop

pp.：  188 – 199

chapter eleven

pp.：  200 – 199

BOLOGNA AND THE POPES: SIMONE DEI CROCEFISSI’S PORTRAITS OF URBAN V

pp.：  200 – 223

Robert Gibbs

pp.：  200 – 223

chapter twelve

pp.：  224 – 223

SOME PILGRIMAGE SOURCES FOR ALTICHIERO

pp.：  224 – 234

Louise Bourdua

pp.：  224 – 234

Index

pp.：  235 – 248

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