Contents

pp.：  5 – 8

List of Contributors

pp.：  9 – 14

Preface and Acknowledgements

pp.：  15 – 18

Introduction

pp.：  19 – 32

Part One Methods, Debates and Paradigms

pp.：  33 – 34

Art History, Aesthetics and Art Criticism

pp.：  35 – 46

The Idea of the Canon and Canon Formation in Art History

pp.：  47 – 58

European Heritage: Unity in Diversity?

pp.：  59 – 76

Contemporary Art and the Concept of Art History: Influence, Dependency and Challenge

pp.：  77 – 92

Formalism and the History of Style

pp.：  93 – 108

Visual Culture and Visual Studies

pp.：  109 – 124

Theories of the Image in France: Between Art History and Visual Anthropology

pp.：  125 – 136

Bildwissenschaft: Theories of the Image in German-language Scholarship

pp.：  137 – 152

Computerization, Digitization and the Internet

pp.：  153 – 168

Technical Art History: The Synergy of Art, Conservation and Science

pp.：  169 – 184

Dimensions of Dialogue: Art History and the Discourse of Economics

pp.：  185 – 202

Sociologies of Art: With and against Art History

pp.：  203 – 214

Museums and Museologies

pp.：  215 – 234

Art History in a Global Frame: World Art Studies

pp.：  235 – 248

The Construction of National Art Histories and the ‘New’ Europe

pp.：  249 – 264

Part Two The Geography of the Discipline

pp.：  265 – 266

Cultures of Interruptions. Art History in the Baltic States: Estonia, Latvia and Lithuania

pp.：  267 – 292

In Search of Synthesis: Art History in Belgium

pp.：  293 – 304

Art History in Bulgaria: Institutional Frameworks, Research Directions and Individual Scholars

pp.：  305 – 322

Art History in the Czech and Slovak Republics: Institutional Frameworks, Topics and Loyalties

pp.：  323 – 332

Art History in France: A Conflict of Traditions

pp.：  333 – 352

Art History in German-Speaking Countries: Austria, Germany and Switzerland

pp.：  353 – 372

Art History and Visual Studies in Great Britain and Ireland

pp.：  373 – 396

Born of a ‘Peripheral’ Modernism: Art History in Greece and Cyprus

pp.：  397 – 410

Art History in Italy: Connoisseurship, Academic Scholarship and the Protection of Cultural Heritage

pp.：  411 – 424

Art History in the Netherlands: The Past and Present of the Discipline

pp.：  425 – 438

Art History in the Nordic Countries

pp.：  439 – 456

A Marginalised Tradition? Polish Art History

pp.：  457 – 468

In Search of National Traditions: Art History in Romania

pp.：  469 – 478

Art History in Serbia, Bosnia-Herzegovina and Macedonia

pp.：  479 – 490

Art History in Spain: A Generational History

pp.：  491 – 502

Art History and the Founding of the Modern Turkish State

pp.：  503 – 510

Bibliography

pp.：  511 – 560

Index

pp.：  561 – 585