List of illustrations

pp.：  7 – 10

Introduction

pp.：  11 – 26

Alka Patel and Karen Leonard

pp.：  11 – 26

Representation of Social Groups in Mughal Art and Literature: Ethnography or Trope?

pp.：  27 – 46

Sunil Sharma

pp.：  27 – 46

“Maid killing a snake” and “Dervish receiving a visitor”: A Re-examination of Bijapuri masterpieces through the lens of the Lucknow copy

pp.：  47 – 70

Keelan Overton

pp.：  47 – 70

Literary Moments of Exchange in the 18th Century: The New Urdu Vogue Meets Krishna Bhakti∗

pp.：  71 – 96

Heidi Pauwels

pp.：  71 – 96

“Darbārs in transition: the many facets of the Mughal imperial image after Shah Jahan as seen in the ex-Binney collection in the San Diego Museum of Art”

pp.：  97 – 120

Laura E. Parodi

pp.：  97 – 120

From Miniatures to Monuments Picturing Shah Alam’s Delhi (1771–1806)

pp.：  121 – 148

Yuthika Sharma

pp.：  121 – 148

Mercantile Architectural Patronage in Hyderabad, late 18th-19th Centuries*

pp.：  149 – 174

Alka Patel

pp.：  149 – 174

Indo-Muslim Culture in Hyderabad: Old City Neighborhoods in the Nineteenth Century

pp.：  175 – 198

Karen Leonard

pp.：  175 – 198

INTERROGATING “THE EAST,” “CULTURE,” AND “LOSS,” IN ABDUL HALIM SHARARʾS Guzashta Lakhnaʾu

pp.：  199 – 214

C. M. Naim

pp.：  199 – 214

ZAHEER v ALI: DISSENTING VIEWS ON THE EARLY YEARS OF THE PROGRESSIVE MOVEMENT IN URDU LITERATURE

pp.：  215 – 228

Carlo Coppola

pp.：  215 – 228

Index

pp.：  229 – 230

Color Plates

pp.：  231 – 261

Black and White Plates

pp.：  262 – 290