Contemporary Cinema of Africa and the Diaspora

Author: Anjali Prabhu  

Publisher: John Wiley & Sons Inc‎

Publication year: 2014

E-ISBN: 9781118588680

P-ISBN(Paperback): 9781405193030

P-ISBN(Hardback):  9781405193047

Subject: J9 Movies, TV

Language: ENG

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Description

Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives.

  • Focuses on art house cinema and discusses commercial African cinema
  • Enlarges our understanding of African film to include thematic and aesthetic influence
  • Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora
  • Heavily illustrated with over 90 film stills
  • Features selected stills integral to the filmic analysis in full color
  • Moves beyond Western-oriented analytical paradigms

Chapter

Title Page

Copyright

Contents

Acknowledgments

Chapter 1 Africa Watch: Parameters and Contexts

Ousmane Sembène’s Black Girl: Prototype of a Spectator of African Cinema

Spectatorship and African Cinema

Notes

Part I Space

Chapter 2 The Postcolonial City: Education of the Spectator in Harrikrisna Anenden's The Cathedral

From Novella to Film

A Protagonist for a Collective Spectator

Interpellating the Spectator through Genre and Style

Notes

Chapter 3 Framing the City: Africanizing Viewer and Viewed through Angle, Distance, Genre, and Movement

Notes

Part II Character

Chapter 4 Models of African Femininity

Faat Kiné and Female Agency in Postcolonial Dakar

Karmen Geï:TheMonumental Heroine in Global Cinema Context2

The Silences of the Palace: Burdens of the Past for Women in Postcolonial Tunisia

Notes

Chapter 5 African Masculinity: "We Don't Need Another Hero''

Notes

Chapter 6 Revolutionary Personhood: Revolutionize the Spectator, or Stop, Thief!

Notes

Part III Narrative

Chapter 7 Documentary Film: Situating a Style

Notes

Chapter 8 African Narration: Narration of Africa

Notes

Chapter 9 Jean-Marie Teno: Creating an African Repertoire

Origins of a Style

From Style to Method

African Cinema: What, For Whom, How?

Notes

Chapter 10 Conclusion: Inside/Outside or How to Make a Film about Africa Today

Notes

Filmography

References

Glossary

Index

Supplemental Images

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