Suicidal Narrative in Modern Japan :The Case of Dazai Osamu ( Princeton Legacy Library )

Publication subTitle :The Case of Dazai Osamu

Publication series :Princeton Legacy Library

Author: Wolfe Alan Stephen;;;  

Publisher: Princeton University Press‎

Publication year: 2014

E-ISBN: 9781400861002

P-ISBN(Paperback): 9780691067742

Subject: I Literature;I1 World Literature

Keyword: 文学

Language: ENG

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Description

Dazai Osamu (1909-1948) is one of Japan's most famous literary suicides, known as the earliest postwar manifestation of the genuinely alienated writer in Japan. In this first deconstructive reading of a modern Japanese novelist, Alan Wolfe draws on contemporary Western literary and cultural theories and on a knowledge of Dazai's work in the context of Japanese literary history to provide a fresh view of major texts by this important literary figure. In the process, Wolfe revises Japanese as well as Western scholarship on Dazai and discovers new connections among suicide, autobiography, alienation, and modernization. As shown here, Dazai's writings resist narrative and historical closure; while he may be said to serve the Japanese literary establishment as both romantic decadent and representative scapegoat, his texts reveal a deconstructive edge through which his posthumous status as a monument of negativity is already perceived and undone. Wolfe maintains that cultural modernization pits a Western concept of the individual as realized self and coherent subject against an Eastern absent self--and that a felt need to overcome this tension inspires the autobiographical fiction so prevalent in Japanese novels. Suicidal Narrative in Modern Japan shows that Dazai's texts also resist readings that would resolve the gaps (East/West, self/other, modern/premodern) still prevalent in Japanese intellectual life.

Originally published in 1990.

The Princeton Legac

Chapter

Preface

Subtext: Between the Facts

Critical Connections

1. From Seppuku to Jisatsu: Suicide as National Allegory

Nation and Antihero

A Tale of Two Suicides

2. Two Tales of Suicide: Socio-Literary Complicities in Japanese Modernization

Suicide East and West

Suicidal Genealogies

Cross-Cultural Complicities

Part 2: Suicidal Autobiography

3. Novel, Ghostly, and Negative Selves

The Ghostly "I"

Negative Selves: The Buraiha Phenomenon

Pharmakon and Deathscript

Intellectual Outlaws

Perversity Personified: Sincere Decadence

De-Estheticizing the Political

4. The Last of the I-Novelists

Specifically Autobiographical

An I for An I

Silent and Tasteless

Dazai's Double-Edged Dagger: The Critical Quandary

The Insufficient "I"

The Permeable Self

The "Last" I-Novelist

5. Dying Twice: Allegories of Impossibility

The Drowning Fish

Suicide and Second Death

Suicidal Signifiers

Seamy Suicide: Threading the "I"

Solitary Sumo: Dazai's "Reminiscences''

Part 3: Japanese Littératuricide and Postwar Rebirth

6. Deathscript: Suicide as Political Survival

Writing Love and Revolution

Tenkō and Literature

An Endless String of Commas

Tenkō as Littératuricide

7. Allegorical Undoings

The Myth of Rebirth: Japan in 1945

The Barren Years: Modernization Derailed

Modernization Resurrected: Reversing the Course

Strands of Suffering

8. Japanese Ressentiment

Friendly Dissuasion

Sunset... Sunrise: Re[Pre]Senting Japan

Peasantly Intellectual: The Dilemma of Ressentiment

A Japanese Littératuricide

Impossible Loves

Epilogue Postmodern Postmortem

Modern Death and the Nuclear Sublime

National Suicide and Posthistorical Japan

Postmodern Suicidal Narrative

Japanese Postmodernism and the Persistence of Suicidal Narrative

Notes

Selected Bibliography

Index

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