Modernism, Media, and Propaganda :British Narrative from 1900 to 1945

Publication subTitle :British Narrative from 1900 to 1945

Author: Wollaeger Mark;;;  

Publisher: Princeton University Press‎

Publication year: 2008

E-ISBN: 9781400828623

P-ISBN(Paperback): 9780691128115

Subject: I Literature;I06 Literature, Literature Appreciation

Keyword: 文学

Language: ENG

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Description

Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particularly important to this double history. By secretly hiring well-known writers and intellectuals to write for the government and by exploiting their control of new global information systems, the British in World War I invented a new template for the manipulation of information that remains with us to this day. Making a persuasive case for the importance of understanding modernism in the context of the history of modern propaganda, Modernism, Media, and Propaganda also helps explain the origins of today's highly propagandized world.

Modernism, Media, and Propaganda integrates new archival research with fresh interpretations of British fiction and film to provide a comprehensive cultural history of the relationship between modernism and propaganda in Britain during the first half of the twentieth century. From works by Joseph Conrad to propaganda films by Alfred Hitchcock and Orson Welles, Mark Wollaeger traces the transition from literary to cinematic propaganda while offering compelling close readings of major fiction by Virginia Woolf, Ford Madox Ford, and James Joyce.

Chapter

CHAPTER ONE: From Conrad to Hitchcock: Modernism, Film, and the Art of Propaganda

Manipulation and Mastery: Film, Novel, Advertising

From Novel to Theater to Film to Hollywood: In Search of an Audience

Killing Stevie: Death by Literalization/Death by Cinematography

Picking up the Pieces: Modernism, Propaganda, and Film

CHAPTER TWO: The Woolfs, Picture Postcards, and the Propaganda of Everyday Life

Postcards, Exhibitions, and Empire

Woolf and the Culture of Exhibition

Education as Propaganda: Bildungsroman, Sex, and Empire

Scripting the Body: Colonial Postcards and the Journey Upriver

Leonard’s Jungle, Conrad’s Trees

In Virginia’s Jungle

Destabilizing the Ethnographic Frame and the Returned Stare

Empire, Race, and the Emancipation of Women

From Male Propaganda to Female Modernism

CHAPTER THREE: Impressionism and Propaganda: Ford’s Wellington House Books and The Good Soldier

Ford and Wellington House

Ford’s Critical Writings: Propagating the Impression

Impressing Facts: When Blood Is Their Argument and Between St. Dennis and St. George

Navigating the Pseudo-Environment in The Good Soldier

CHAPTER FOUR: Joyce and the Limits of Political Propaganda

Recruitment and the Art of the Poster

Reading Posters/Reading Ulysses

Maeve, Bloom, and the Limits of Propaganda

Identification, Cultural Predication, and Narrative Structure

Carnivalizing Propaganda: Bloom and Stephen in Nighttown

Reinventing Ireland: Ulysses and the Art of Dislocation

CHAPTER FIVE: From the Thirties to World War II: Negotiating Modernism and Propaganda in Hitchcock and Welles

War, Propaganda, and Film: Pairing Hitchcock and Welles

Orson Welles: Theater, Film, and the Art of Propaganda

Autonomy and Innovation: From the Studio to the MoI and CIAA

Citizen Kane and It’s All True: Documentary and Propaganda

Bon Voyage, Aventure Malgache, and the Materiality of Communication

CODA

NOTES

INDEX

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Y

Z

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