Believing in Opera :Believing in Opera ( Princeton Legacy Library )

Publication subTitle :Believing in Opera

Publication series :Princeton Legacy Library

Author: Sutcliffe Tom;;;  

Publisher: Princeton University Press‎

Publication year: 2014

E-ISBN: 9781400864508

P-ISBN(Paperback): 9780691015637

Subject: J832 歌剧艺术

Keyword: 音乐

Language: ENG

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Description

The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces.

Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chéreau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imaginati

Chapter

Acknowledgments

Foreword by Matthew A. Epstein

1 Believing in Opera

2 Peter Brook and Theatrical Opera

3 Theory of Interpretation

4 A Repertoire of Classics

5 The Design Matrix

6 Patrice Chéreau: Revolutionary Classicism

7 Ruth Berghaus: Marx, Feminism and the Absurd

8 David Alden: Expressionist Shock

9 Peter Sellars: Americanizing Everything

10 Richard Jones: Burlesque Profundities

11 Graham Vick: Neo-Realism and Emotion

12 Albery, Pimlott, Cairns: British Expressionism

13 A Line of Renewal: From Hall to Pountney

14 Brian Mcmaster's Eclectic Imports

15 Frankfurt and After: From Neuenfels to Decker

16 21st-Century Opera: Going for a Song

Appendix: Bühnenreform (Theatre Reform) By Alfred Roller

Postscript

Index

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