Mendelssohn and His World :Mendelssohn and His World ( The Bard Music Festival )

Publication subTitle :Mendelssohn and His World

Publication series :The Bard Music Festival

Author: Todd R. Larry;;;  

Publisher: Princeton University Press‎

Publication year: 2012

E-ISBN: 9781400831623

P-ISBN(Paperback): 9780691027159

Subject: J6 Music;J609 音乐史

Keyword: 音乐

Language: ENG

Access to resources Favorite

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Description

During the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles' Antigone (Michael P. Steinberg); his anthem "Why, O Lord, delay forever?" (David Brodbeck); and an unfinished piano sonata (R. Larry Todd). Part II presents little-known memoirs by such contemporaries as J. C. Lobe, A. B. Marx, Julius Schubring, C. E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks,

Chapter

Mendelssohn and the Berlin Singakademie: The Composerat the Crossroads WM. A. LITTLE

The Power of Class: Fanny Hensel NANCY B. REICH

Samplings CLAUDIO SPIES

Elijah, Johann Sebastian Bach, and the New Covenant: On the Aria "Es ist genug" in Felix Mendelssohn-Bartholdy's Oratorio Elijah MARTIN STAEHELIN TRANSLATED BY SUSAN GILLESPIE

The Incidental Politics to Mendelssohn's Antigone MICHAEL P. STEINBERG

The Unfinished Mendelssohn R. LARRY TODD

PART II MEMOIRS

Conversations with Felix Mendelssohn JOHANN CHRISTIAN LOBE T RANSLATED BY SUSAN GILLESPIE

From the Memoirs of Adolf Bernhard Marx TRANSLATED BY SUSAN GILLESPIE

Reminiscences of Felix Mendelssohn-Bartholdy JULIUS SCHUBRING

Reminiscences of Mendelssohn by His English Pupil CHARLES EDWARD HORSLEY

From the Memoirs of F. Max Müller

From the Memoirs of Ernst Rudorff TRANSLATED AND ANNOTATED BY NANCY B. REICH

PART III LETTERS

Letters from Felix Mendelssohn-Bartholdy to Aloys Fuchs EDUARD HANSLICK TRANSLATED BY SUSAN GILLESPIE

Mendelssohn as Teacher, with Previously Unpublished Letters from Mendelssohn to Wilhelm v. Boguslawski BRUNO HAKE TRANSLATED BY SUSAN GILLESPIE

PART IV CRITICISM AND RECEPTION

Robert Schumann with Reference to Mendelssohn-Bartholdy and the Development of Modern Musicin General FRANZ BRENDEL TRANSLATED BY SUSAN GILLESPIE

Heinrich Heine on Mendelssohn SELECTED AND INTRODUCED BY LEON BOTSTEIN TRANSLATED BY SUSAN GILLESPIE

On F. Mendelssohn-Bartholdy's Oratorio Elijah OTTO JAHN TRANSLATED BY SUSAN GILLESPIE

On Mendelssohn and Some of His Contemporary Critics FRIEDRICH NIECKS

Felix Mendelssohn HANS VON BÜLOW TRANSLATED BY SUSAN GILLESPIE

Index of Names and Compositions

List of Contributors

The users who browse this book also browse