Death and Afterlife in Modern France :Death and Afterlife in Modern France ( Princeton Legacy Library )

Publication subTitle :Death and Afterlife in Modern France

Publication series :Princeton Legacy Library

Author: Kselman Thomas A.;;;  

Publisher: Princeton University Press‎

Publication year: 2014

E-ISBN: 9781400862986

P-ISBN(Paperback): 9780691008899

Subject: C91 Sociology;K5 European History

Keyword: 社会学,欧洲史

Language: ENG

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Description

Although today in France church attendance is minimal, when death occurs many families still cling to religious rites. In exploring this common reaction to one of the most painful aspects of existence, Thomas Kselman turns to nineteenth-century French beliefs about death and the afterlife not only to show how deeply rooted the cult of the dead is in one Western society, but how death and the behavior of mourners have been politicized in the modern world. Drawing on sermons preached in rural and urban parishes, folktales, and accounts of seances, the author vividly re-creates the social and cultural context in which most French people responded to death and dealt with anxieties about the self and its survival. Inspired mainly by Catholicism, beliefs about death provided a social basis for moral order throughout the nineteenth century and were vulnerable to manipulation by public officials and clergy. Kselman shows, however, that by mid-century the increase in urbanization, capitalism, family privacy, and expressed religious differences generated diverse attitudes toward death, causing funerals to evolve from Catholic neighborhood rituals into personalized symbolic events for Catholics and dissenters alike--the civil burial of Victor Hugo being perhaps the greatest symbol of rebellion. Kselman's discussion of the growth of commercial funerals and innovations in cemetery administration illuminates a new struggle for control over funeral arrangements, this time involving busi

Chapter

Contents

List of Illustrations

List of Tables

Preface

Introduction

Part 1: Mortality and Mortal Knowledge

Part 2: Folk, Orthodox, and Alternative Cultures

Part 3: The Material Culture of Death

Notes

Select Bibliography

Index

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