Related content

Framing and Conserving Byzantine Art at the Menil Collection: Experiences of Relative Identity

By Peers Glenn  

Zeitschrift für Medien- und Kulturforschung, Vol. 2015, Iss. 2, 2015-09 ,pp. : 25-44

Felix Meiner Verlag

Access to resources Recommend Favorite

Dead Canoes – The Fate of Agency in Twentieth-Century Murik Art

By Lipset David  

Social Analysis, Vol. 49, Iss. 1, 2005-03 ,pp. : 109-140

Berghahn Journals

Access to resources Recommend Favorite

Capital implications: the function of labor in the video art of Juan Devis and Yoshua Okon

By Rogers Kenneth  

Social Identities, Vol. 15, Iss. 3, 2009-05 ,pp. : 331-349

Routledge Ltd

Access to resources Recommend Favorite

Mediated Debate, Historical Framing, and Public Art: The Juan de Oñate Controversy in El Paso

By  

Aztlan: A Jounal of Chicano Studies, Vol. 33, Iss. 2, 2008-09 ,pp. : 121-140

UCLA Chicano Studies Research Center

Access to resources Recommend Favorite

"I'm bringing back a dead art": continuity and change in the lives of young fathers

By  

Families, Relationships and Societies, Vol. 4, Iss. 2, 2015-01 ,pp. : 253-266

Policy Press

Access to resources Recommend Favorite