Chapter
Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation
Part One: “Strange Invention”: Shakespeare in the New Media
YouTube Shakespeare, Appropriation, and Rhetorics of Invention
“Is There an App for That?”: Mobile Shakespeare on the Phone and in the Cloud
Part Two: “These Violent Delights Have Violent Ends”: Shakespearean Adaptation and Film Intermedia
Melted into Media: Reading Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror
Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation
Part Three: “All the Uses of This World”: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
Slings & Arrows: An Intermediated Shakespearean Adaptation
Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio
Sounding Shakespeare: Intermedial Adaptation and Popular Music
“Playing the Race Bard”: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival
Part Four: “Give No Limits to My Tongue … I Am Privileged to Speak”: The Limits of Adaptation?
Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916)
Upcycling Shakespeare: Crafting Cultural Capital