Capturing Women :The Manipulation of Cultural Imagery in Canada's Prairie West ( McGill-Queen's Native and Northern Series )

Publication subTitle :The Manipulation of Cultural Imagery in Canada's Prairie West

Publication series :McGill-Queen's Native and Northern Series

Author: Carter   Sarah A.  

Publisher: McGill-Queen's University Press‎

Publication year: 1997

E-ISBN: 9780773566781

P-ISBN(Paperback): 9780773516557

Subject: K711.9 local annals

Keyword: 工人、农民、青年、妇女运动与组织

Language: ENG

Access to resources Favorite

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Description

The late 1800s was a critical era in the social history of the Canadian Prairies during which racial tensions between white settlers and the Native population grew and colonial authority was perceived to be increasingly threatened. As a result white settlers began to erect social and spatial barriers to segregate themselves from the indigenous population. In Capturing Women Sarah Carter examines popular representations of women that emerged at the time, arguing that stereotypical images of Native and European women were created and manipulated to establish boundaries between Native peoples and white settlers and to justify repressive measures against the Native population.

Chapter

Preface

Acknowledgments

1 Introduction: Defining and Redefining Women

2 "The Honour of a White Woman Is Sacred": The Exploitation of the Experiences of Theresa Delaney and Theresa Gowanlock

3 "Untold Suffering and Privation": Changing and Conflicting Stories of Captivity

4 Captivity Hoaxes and Their Uses

5 In Sharp Relief: Representations of Aboriginal Women in the Colonial Imagination

6 Alibis for Exclusion: Old Frenzy, New Targets

Notes

Index

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Y

The users who browse this book also browse


No browse record.