Erotic Grotesque Nonsense :The Mass Culture of Japanese Modern Times ( Asia Pacific Modern )

Publication subTitle :The Mass Culture of Japanese Modern Times

Publication series :Asia Pacific Modern

Author: Silverberg > Miriam  

Publisher: University Of California Press‎

Publication year: 2007

E-ISBN: 9780520924628

P-ISBN(Paperback): 9780520260085

Subject: K3 Asian History

Keyword: 亚洲史

Language: ENG

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Description

This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920s and 1930s, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920s and 1930s, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.

Chapter

PART I. JAPANESE MODERN TIMES

Japanese Modern within Modernity

Placing the Consumer-Subject within Mass Culture

Erotic Grotesque Nonsense as Montage

Japanese Modern Culture as Politics

The Documentary Impulse

PART II. JAPANESE MODERN SITES

1. The Modern Girl as Militant (Movement on the Streets)

Identifying the Modern Girl

What Did She Do?

What Made the Modern Girl Do What She Did?

2. The Café Waitress Sang the Blues

Eroticizing the Modern Japanese Café Waitress

Documenting the Café Waitress

“A New Study of the Everyday Life of the Café Waitress”

“A Close Look at Ginza”

“Tale of Wandering”

How the Japanese Café Waitress Sang the Blues

3. Friends of the Movies (From Ero to Empire)

Ero

Ero at the Movies

Toward Empire

4. The Household Becomes Modern Life

The Family-State of “Shufu no Tomo”

Wives and Husbands (the Shufu in Fūfu)

The Fūfu in Discord/Household in Discord

Women at Work

Modern Times for the Housewife

PART III. ASAKUSA – HONKY-TONK TEMPO

1. Asakusa Eroticism

Gonda Yasunoke’s Asakusa (an Official View)

Soeda Azenbō’s Asakusa

Kawabata Yasunari’s Asakusa

Hollywood as Fantasy

Ozaki Midori (Love for a Cane and a Hat)

2. Down-and-Out Grotesquerie

Beggar Culture

Vagrant Culture

Juvenile Delinquents

The Hawkers

Foreigners as Freaks

3. Modern Nonsense

The Irony of Parody

The “Casino Folies” Affirms the False

Letting Go of the Modern—Charlie Left Behind

Freeze Frames (An Epilogue in Montage)

Tempo (1931)

Gestures (1932)

Code Switch (1936)

The Parody of Comedy (1940)

Asakusa Memories (the 1970s and 1980s)

The Return of the Modern Girl (the 1990s)

Giving the Modern Girl Her Due

The End

List of Abbreviations

Notes

Bibliography

Index

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B

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D

E

F

G

H

I

J

K

L

M

N

O

P

R

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T

U

V

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Y

Z

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